In most Theater organizations, the chief was a military man and the staff was partly military and partly civilian. Under General Eisenhower, PWD was not only Army and OWI but included OSS, on the American side, along with British partnership, French participation, and other Allied personnel as well. Under General MacArthur, OWI participated under strict Army control. Under General Stilwell, no Theater organization as such was set up; the G-2, the Political Adviser or the General himself handled propaganda matters when they turned up. Under General Wedemeyer, there was a Theater officer. Under General Sultan, the OWI ran itself; the Outpost serviced the Theater. Under General Clay, Information Control Service, OMGUS, became an integral part of military control. The same thing happened in General MacArthur's reorganized PWB--an organization termed CIES (Civil Information and Education Section) had the organization and personnel not only of the American structure, but the usable purged parts of the _Joho Kyoku_ obedient to its command and liaison. Other Theaters had comparable arrangements, each suited to the Theater. [Illustration: _Figure 50: Consolidation Propaganda: Door Gods._ One of the most unusual consolidation propaganda operations was the distribution of "door gods." These were small good-looking posters which traditionally displayed figures from the Chinese Pantheon. During the war, farm families who had been accustomed to putting up new door gods each lunar New Year found that they could not afford them. China Division, OWI, then run by F. M. Fisher, Richard Watts, Jr., Graham Peck, and James Stewart, made up new door gods which showed American aviators, thus familiarizing the Chinese peasantry with our insignia and preaching the cause of inter-Allied cooperation.] [Illustration: _Chart IX_ PRODUCTION of a TACTICAL LEAFLET (Army Level)