Psychological WarfareLinebarger, Paul Myron Anthony
History
Psychological Warfare
Linebarger, Paul Myron Anthony
Psychological warfare
The operator needs simple but basic materials. If he is a producer of
some kind--such as a creative writer, an artist, a singer, a program
arranger, a newscaster who does his own scripts and so on--he is likely
to be a person with ideas of his own. Individual creativeness cannot
usually be turned on and off like a faucet. Low-ranking and disciplined
though the hired writer may be, he is still subject to the inward
frailties of authors if he is any good. (This particular author
sympathized deeply with some poor American Japanese who were given
unbelievably dull outlines and told, "Turn this into exciting Japanese
material! Give it pep! Make it rock them off their _tatami_! But don't
get away from that outline one damn inch!" The _nisei_ rolled their
eyes; they did a poor job, as they knew that they would.)
The person who has to be told day in and day out how to operate is no
operator at all. Psychological warfare is no place for unsuccessful
short-story writers or would-be radio commentators. It demands
professional standards, and it has more than professional difficulties.
Therefore what the operator needs is not technical instruction but
general guidance.
He must be told what he can say, what he cannot say. He should whenever
possible be given some reason for perplexing or cryptic instructions. He
should be helped to become familiar with what we are trying to tell the
enemy. There is nothing classified about that, since the enemy is to be
told it as soon as possible. The guidance given the operator should be:
(1) Plain.
(2) Feasible. (This sounds superfluous, but was not so during World
War II when operators were sometimes told to attack such-and-such an
enemy institution without referring to it directly or indirectly.)
(3) Organized. (The material at OWI was not organized until the last
several months of the war, with the result that hundreds of thousands
of words of propaganda commands remained in force, technically, but
un-indexed and arranged only by weekly form.)
(4) Specific in showing timing. (General controls should not be issued
at the beginning of operations; when revised, the revision should
supersede the revised section, and not be placed beside it. Other
provisions should be given expiration dates, after which they pass out
of effect.)
(5) Mandatory. (Control should be expressed in _do_ or _don't_;
personal advice is better conveyed through informal channels.)
(6) Non-security or low-classified. (This material, for the operators,
should be accessible to the operators. Often the most important
operator--the best newsman, the most effective leaflet artist--may be
a rather doubtful citizen, an alien, or even an enemy volunteer. He
cannot follow guidances unless he knows them, and it makes a farce of
security for his superior to be able to tell him the guidance, so that
he can memorize it, but not able to give him the document itself.)
Public-domain text, read in full here on John Shaqi.
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