Psychological WarfareLinebarger, Paul Myron Anthony
History
Psychological Warfare
Linebarger, Paul Myron Anthony
Psychological warfare
Black radio comes into its own on standard wave. The British could put
the mysterious anti-British, anti-Hitler broadcaster _Gustav Siegfried
Eins_ on the air, with his rousing obscenities, his coarse but
believable gossip, his wild diatribes against the Allies and against the
Nazi scum who got in the way of the glorious German army. He was so good
that for a while even American propanal thought he might be a spokesman
for the saucier members of the _Wehrmacht_ general staff. The Germans
could broadcast proletarian propaganda on the _Lenin Old Guard_ station,
foaming at the mouth whenever they mentioned the crazy vile Fascist
swine Hitler, and then going into tantrums because the Communist party
needed all the brave glorious leaders who had been murdered by the fat
bureaucrat Stalin. Ed and Joe could talk out of Bremen and pretend to be
scooting around the American mid-west, one jump ahead of the G-men with
their trailer and concealed transmitter, telling the rest of the
Americans the low-down about "that goof Roosevelt and his Jewish war,"
but Ed and Joe were not good enough to fool anybody. Black radio is
great fun for the operators, but its use is often limited to a twisted
kind of entertainment designed to affect the morale of dubious groups.
It leaps to sudden importance only in times of critical panic when it
can add the last catalyst to national confusion, precipitating chaos.
The beginning and end of standard-wave transmission is news. News (see
page 135) uses standard appeals. It should be factual but selectively
factual. Repetition of basic themes is much more important than the
constant invention of new ones. The propaganda chief has nothing to do,
day in and day out, but to think of his own programs. He becomes
familiar with them and bored by them. He visualizes his Propaganda Man
as a person who hears all transmissions and is understandably bored by
them, overlooking the interruptions that listeners face, the long gaps
between the programs they hear, the weather interference, the static,
the police measures.
Public-domain text, read in full here on John Shaqi.
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