Psychology of the Unconscious: A Study of the Transformations and Symbolisms of the Libido. A Contribution to the History of the Evolution of ThoughtJung, C. G. (Carl Gustav)
Philosophy
Psychology of the Unconscious: A Study of the Transformations and Symbolisms of the Libido. A Contribution to the History of the Evolution of Thought
Jung, C. G. (Carl Gustav)
Libido (Psychology); Mother and child; Psychoanalysis; Subconsciousness; Symbolism (Psychology)
Were I to suppose among my readers a far-reaching ignorance of dream
analysis, then I should be obliged to illustrate this statement with
numerous examples. To-day, however, these things are quite well known,
so that one must proceed carefully with every-day dream material, out of
consideration for a public educated in these matters. It is a special
inconvenience that no dream can be recounted without being obliged to
add to it half a life’s history which affords the individual foundations
of the dream, but there are some few typical dreams which can be told
without too great a ballast. One of these is the dream of the sexual
assault, which is especially prevalent among women. A girl sleeping
after an evening happily spent in dancing, dreams that a robber breaks
open her door noisily and stabs through her body with a lance. This
theme, which explains itself, has countless variations, some simple,
some complicated. Instead of the lance it is a sword, a dagger, a
revolver, a gun, a cannon, a hydrant, a watering pot; or the assault is
a burglary, a pursuit, a robbery, or it is some one hidden in the closet
or under the bed. Or the danger may be illustrated by wild animals; for
instance, a horse which throws the dreamer to the ground and kicks her
in the body with his hind foot; lions, tigers, elephants with
threatening trunks, and finally snakes in endless variety. Sometimes the
snake creeps into the mouth, sometimes it bites the breast like
Cleopatra’s legendary asp, sometimes it comes in the rôle of the
paradisical snake, or in the variations of Franz Stuck, whose pictures
of snakes bear the significant titles “Vice,” “Sin,” “Lust.” The mixture
of lust and anxiety is expressed incomparably in the very atmosphere of
these pictures, and far more brutally, indeed, than in Mörike’s charming
poem.
_The Maiden’s First Love Song_
What’s in the net?
Behold,
But I am afraid,
Do I grasp a sweet eel,
Do I seize a snake?
Love is a blind
Fisherwoman;
Tell the child
Where to seize.
Already it leaps in my hands.
Oh, Pity, or delight!
With nestlings and turnings
It coils on my breast,
It bites me, oh, wonder!
Boldly through the skin,
It darts under my heart.
Oh, Love, I shudder!
Public-domain text, read in full here on John Shaqi.
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