Psychopathology and politicsLasswell, Harold D. (Harold Dwight)
Science
Psychopathology and politics
Lasswell, Harold D. (Harold Dwight)
Personality and politics; Political science; Psychoanalysis; Psychology, Pathological
Agitators as a class are strongly narcissistic types. Narcissism
is encouraged by obstacles in the early love relationships, or by
overindulgence and admiration in the family circle. Libido which is
blocked in moving outward toward objects settles back upon the self.
Sexual objects like the self are preferred, and a strong homosexual
component is thus characteristic. Among the agitators this yearning for
emotional response of the homosexual kind is displaced upon generalized
objects, and high value is placed on arousing emotional responses
from the community at large. The tremendous urge for expression in
written or spoken language is a roundabout method of gratifying
these underlying emotional drives. Agitators show many traits which
are characteristic of primitive narcissism in the exaggerated value
which they put on the efficacy of formulas and gestures in producing
results in the world of objective reality. The family history shows
much repression of the direct manifestation of hatred. There is
often a record of a “model boy” during the early years, or of a shy
and sensitive child who swallowed his resentments. Repressed sadism
is partly vented upon objects remote from the immediately given
environment, and favors the cultivation of general social interests.
The youth has usually learned to control by suppression and by
repression the full amplitude of his affects, and this is a discipline
in deceit. The narcissistic reactions prevent the developing individual
from entering into full and warm emotional relationships during
his puberty period, and sexual adjustments show varying degrees of
frigidity or impotence, and other forms of maladjustment.[41] Speaking
in terms of early growth phases, the agitators as a group show marked
predominance of oral traits.
Public-domain text, read in full here on John Shaqi.
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