Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
Here was a discovery; probably the little unforeseen circumstance
destined to turn the tide of my fortune and land me at last in
Elysium. I must be a real, though rare bird of a misguided type.
Thus impartial speech is sufficient to justify the conclusion. That
being so, humility ill befits me. It is a mistake to cheapen what
in reality are attributes as rare as they are highly prized. I am
the one living illustration that in nature, as in law, nothing is
impossible—that black even may become white. In law, I am told, this
transformation is effected thoroughly, but at the same time at great
cost to clients, and only by highly-gifted members of the bar. In my
own case, natural law has been manipulated to bring about a like end,
intended clearly for my gain.
These sage conclusions led at once to my assuming the airs and
importance of a creature who for the first time discovers that his
genius has raised him from the gutter far above all his fellows. I
seemed at once to acquire a more dignified and imposing strut while
parading the spout, and at the same time a capacity for looking
calmly into space, towards the place of my ultimate destiny, far
removed from this narrow terrestrial sphere. All this was a wonderful
transformation to be wrought by the careless boast of a tawdry
gossip, and clearly proves how nicely poised are the affairs of life.
Such incidents are not unknown among men, as the word of a fool has
been known to arrest the overthrow of a kingdom. {254}
Among other things, it occurred to me, since Nature has gone out
of her way to make me what I am, I must be a poet. I can hardly
explain the process of reasoning which led to this belief; for all
that, the belief became so rooted in my brain that I must needs
jot down my inspiration. It is universally acknowledged that the
first step to be taken towards becoming a great poet is to look
like one. I accordingly studied to look genius all over, and the
result was, I was accepted as my own estimate. Next I determined
to go in for classical verse, and bring out a poem in forty-eight
cantos, so framed as to apprise the universe of my existence. I
shall deplore my isolation in such a manner as to stir up the envy
of the happiest beings on earth. Since Heaven has refused me a mate,
I shall utterly condemn the law which divides the bird creation into
families, each having its own distinctive attributes. I will cry
down everything—prove that grapes are sour, that Nightingales sing
one into despair, and that Blackbirds have fallen away from their
primeval whiteness. But first I must lay hold of a good rhyming
companion, a handy-book to lift me out of the horrors of fishing
for words of the same sound. It will also be necessary to establish
about my person a retinue of needy journalists and authors as an
exhaustless source of inspiration, in order to deluge the world with
rhymes copied from the strophes of Chaucer, and with plays decked out
from the sentiments of Shakespeare.
Public-domain text, read in full here on John Shaqi.
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