Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
Thus shall I ease my overburdened
soul, make all the Tomtits cry, the Ringdoves coo, and the old Owls
screech. Above all, one must prove one’s self inexorable to the
sweet sentiment of love. In vain shall I be waylaid and entreated to
have compassion on maidenly hearts melted by my song. My manuscripts
shall be sold for their weight in gold, my books shall cross the
seas, fame and fortune shall everywhere follow me. In short, I shall
be a perfectly exceptional bird, an eccentric, and at the same time
brilliant writer, received with open arms, courted, admired, and
thoroughly detested by a thousand rivals.
VII.
An interval of six weeks introduced my first work to the world, which
turned out, as I promised myself it should, a poem in forty-eight
cantos. It was slightly marred by a few negligences, the result of
prodigious fertility of brain and the inability of my pen to keep
pace with my inspiration. Nevertheless, I wisely concluded that the
public, {255} accustomed as they are in modern times to all that
is swift in thought and action, would shield me from reproach. The
success of this, my pristine effort, was simply as unparalleled as
it was thoroughly deserved. The subject of the poem was my noble
self; in this respect adhering to the prevailing custom, I related
my sufferings and adventures, and put the reader in possession
of a thousand domestic details of the most piquant interest. The
description of my mother’s nest filled no less than fourteen cantos.
With the most graphic minuteness were noted the number of straws,
grasses, and leaves of which it was composed, the whole being
idealised by the tints and reflections of poetic genius. I displayed
the inside and the outside, the bottom and the brim, the graceful
curves and inclined planes and angles, gradually leading the reader
up to the grand theme of the contents—the remains of flies, may-bugs,
and grubs which supplied the dainty fare of our home. Thus ascending,
I reserved, with true poetic art, the dramatic incidents of my life
for the grand _dénoûement_.
Europe was moved by the apparition of my book, and eagerly devoured
its thrilling revelations. How could it be otherwise? I had not
only laid bare the facts of my existence, but pictured the dreams
which disturbed my repose for many years, even introducing an ode
composed in the yet unbroken egg. Of course I did not neglect the
subject which interests every one—that is, the future of humanity.
This problem, which for a moment had arrested my attention, was dealt
with, and dashed off in outline, giving universal satisfaction.
Every day brought its tribute of congratulatory letters and
anonymous love declarations, while my door was besieged by newspaper
correspondents and Western tourists seeking an interview. All
personal intercourse I positively declined, until forced to make an
exception to a Blackbird from Senegal and another from China, who
announced themselves as relatives of my own.
Public-domain text, read in full here on John Shaqi.
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