Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
“Ah, sir,” they said, nearly choking me with their embraces, “you are
indeed a noble bird. How admirably you have painted in your immortal
lines the profound sufferings of an unknown genius! If we are not
already thoroughly misunderstood, we should become so after reading
you. How deeply we sympathise with your griefs and your sublime scorn
of vulgar opinion. Our own experience, sire, has made us familiar
with all the troubles of which you sing. Here are two sonnets we
humbly pray you to accept as a token of our worship.” {256}
“Here is besides,” added the Chinese, “a song composed by my wife on
a passage in your preface. She seems to have caught wonderfully the
inspiration which it breathes.”
“Gentlemen,” I replied, “you seem to be gifted persons endowed with
sentiments that are a credit to your nations, but permit me to
inquire the reason of your manifest melancholy?”
“Ah, sir, see how I am formed. My plumage, it is true, is pleasant to
behold; it is not without the tinge of emerald green, the glory of
Ducks and dupes. For all that, my beak is too short and my claws too
long, and whoever saw such a frightful tail as mine? I am nearly all
tail. Is it not enough to give one the blues?”
“As for me, sir,” said John Chinaman, “my misfortune is a still more
painful one. My comrade’s tail sweeps the streets, while the vulgar
point the finger of scorn at me because I have only a stump.”
“Gentlemen,” I replied, “I pity you with all my heart. It is always
painful to have too much or too little of anything, no matter what
it is. But allow me to tell you that in our museums there are many
examples of your class who have been stuffed and preserved in peace
for years. My own case is infinitely worse than yours put together.
I have the misfortune to be a lettered bird, a genius, and the only
bird of my kind. In spite of my resolution to remain single, the
return of spring-time caused me much uneasiness, and an event as
unexpected as it was welcome decided my future. I received a letter
from a young white Merle in London. It ran thus:—
“ ‘I have read your poem, and the devotion it inspired has
constrained me to offer you my hand and fortune. God created us for
each other. I am like you, for I am a white Merle.’
“My surprise and joy may be imagined. A white Merle! Is it possible?
I hastened to reply to the charming note—equal in terseness and
fathomless sentiment to a love message in the second column of the
_Times_. I besought the fair unknown to come at once to Paris, the
refuge of romance-stricken young ladies. My reply had the desired
effect; she came at once, or rather soon after her second letter,
which informed me that she would not bother her parents with details.
It was better to tell them nothing, as they might deem it necessary
to send an old carrion Crow to look into my character.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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