Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
While thus raving, I wept over my wife, and as each tear-drop fell
upon her back, she visibly changed colour. Feathers, one by one,
not {261} even black, but red appeared—she must have coloured red
to fill some other _rôle_. Soon I found myself _vis-à-vis_ with
a creature unpasted, unfloured, and nothing more than a vulgar
Blackbird. How dare I publish my shame! I plucked up courage and
resolved to quit the gay world, to give up my career, to flee to a
desert, if that were possible, to shun the sight of every living
creature.
IX.
I flew away broken-hearted, and the wind, the good angel of birds,
wafted me on its wings to a branch at Mortfontaine. It was night,
the birds were asleep, but the Nightingale still sang. Alone in the
darkness his heart overflowed with his song to God for His goodness,
his breast expanded with the sacred theme, and with a rapture unfelt
by the most gifted poets who sing for the ears of men. I could not
resist the temptation of addressing him.
“Happy Nightingale, you sing because your heart is bursting with joy.
You are indeed highly favoured, you have a wife and little ones which
you sing to sleep on their pillow of moss. You have a full moon to
cheer you, plenty to eat, and no journals to praise or condemn you.
Rubini and Rosini are as nothing to you. You are equal to the one,
and divine when compared with the other. I, sir, have wasted my life
in pursuing the empty vanities of fame, while you have secured real
happiness in the wood. May your secret be learned?”
“Yes,” replied the Nightingale, “but it is not what you imagine. My
wife bothers me, I do not love her! I am passionately fond of the
Rose; Sadi, the Persian, has spoken of it. I sing all night to her
while she sleeps and is deaf to my praise. Her petals are closed at
this hour. She cradles an old Scarab, and when the gray dawn breaks
sadly over the wood, and my eyes are closing in sleep, then she will
open her breast, and the Bee will be welcomed with the dainty pollen
from the lips of her lover.”
{262}
THE QUEEN’S HUSBAND.
The first political act in which I took part made so deep an
impression on me, that I attribute the strange vicissitudes of my
life to its influence. Permit me to begin my narrative without
further introduction.
[Illustration]
I had reached maturity and become a citizen of the hive, when one
morning I was roused by a knocking at the partition, and some one
calling on me by name.
“What is wanted?” I inquired.
“Come out at once!” was the instant rejoinder. “You are wanted.
Monsieur is about to be executed, and you are required as one of the
guards of honour.”
These awful words, which I scarcely comprehended, filled me with
horror. I was, for all that, aware beforehand of the impending doom
of Monsieur, but had no notion that my services would be required at
the ghastly ceremony.
Public-domain text, read in full here on John Shaqi.
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