Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
“As the scenes of my youth faded in the distance, sorrow took
possession of my heart, and at last I bade adieu to my dear
mountains. I felt for the first time that loss of one’s country is
immortal, and that travels only produce fatigue of body and mind. Now
I was enabled to comprehend how Calypso, arrayed in all her charms,
could not tempt Ulysses to abandon his poor but much-loved Ithaca,
or to relinquish the noble ambition which induced him to return and
behold once more the smoke rising from his chimney.
“ ‘Vivite felices, quibus est fortuna peracta!
Vobis parta quies, nobis maris æquor arandum.’
“We embarked at Bayonne on board a ship setting sail for the British
Isles, where I afterwards passed two years with my master in a
Scottish {314} castle. This gifted man was to me a most interesting
study; at once poet and misanthrope, his example sealed my fate for
life, thoroughly curing me of the monomania which had forced me
into seclusion. I had at the same time contracted a depraved habit
of composing verses or rhymes, which I could not shake off, never
fully realising that only a few gifted poets have been enabled to win
fame by placing their sentiments on record. Like most half-fledged
misunderstood poets, I suffered acutely, being no favourite either
of the Muses or the public. Inspiration would not come, in spite of
great agony and superbearish effort. It was in vain I lay on my back
or rolled on my belly—rhythm, rhyme, and romance proved my severest
taskmasters. I walked fast in the dark lanes of the garden, as Pope
used to do, scaring the birds by the deep growlings that escaped my
breast.
“Who would believe it? My poetic breakdown stirred the worst passions
of my nature, and drove me to hate every successful songster—to hate
past, present, and future—to hate every one and everything saving my
own soured self.
“Since Solomon’s time many books have been written, but the book
which shall faithfully picture the miseries of a literary life has
yet to be penned. My master himself, with his acknowledged genius
and inordinate—— I must not retail his troubles, as most worthy
recipients of his kindness might be tempted to do. I shall content
myself, as a faithful servant, by merely raising the corner of the
veil. The Muses were his true loves, to whom he was fain to prove
unfaithful when he sought the joys of domestic life, to lay the
storms of his heart in the haven of home. But it was all too late,
the experiment failed, and he fled to end his accumulated woes on a
foreign shore.
“Here was a lofty example for me, an unfortunate poetaster, proving
as it did that poetic genius, just in proportion to its intensity,
dries up the font of social happiness and plays fearful havoc with
common sense.
Public-domain text, read in full here on John Shaqi.
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