Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
In one of the most picturesque niches of the old wall dwelt a
Chameleon, one of the handsomest, most distinguished, and most
amiable creatures in the world. His figure was slight, his tail
slender, his nails curved artistically, his teeth white and pearly,
and his eyes quick and animated. His changing colours were all of
them most agreeable to behold, indeed the whole aspect of this
charming creature was delicate and bewitching.
[Illustration]
When he ascended the wall, twisting his body into a thousand elegant
forms, or when running through the flowering grass, one never tired
of looking at him. Besides no one could be more simple or unaffected
than this king of Lizards. He had no experience of the world, at
least he only once had occasion to go into society, into the little
world of Lizards, which is a hundred times less-corrupt than the
world of Snakes, or of men. Yet he determined never to return to it,
as the single day which he spent from home seemed to him a century.
His contact with the world had left no taint, he lost nothing of that
natural candour born of the freedom of the fields, where one sees the
budding flowers opening to their fullest, to court the scrutiny of
the midday light.
II.
In vain did a crested Jay assure him of his descent from the famous
Crocodiles of the Nile, and that his ancestors were thirty-four feet
in length. Finding himself so small, and feeling assured that the
greatest of his ancestors had not been able to add a single line
to his tail, he never troubled himself about his origin. It was
sufficient for him to {378} know that he had been brought into the
world somehow, and to feel thankful for it. He was alike devoid of
aristocratic weaknesses and vulgar vices. The most singular phase of
his character was complete indifference to the sentiment of love. The
most attractive female Lizards knowing this, had disposed of their
hearts and affections to others.
III.
The truth was he had given his heart away, unknown to his friends.
Love had stolen upon him without he himself knowing how—it is
thus that the passion makes the heart captive. Love had so taken
possession of him, that he could not get rid of it if he would. This
is how one loves well and wisely.
He loved the sun. When it was out, he was in it, and could think of
nothing else. He slept while yet awake, realising the sweetness of
noonday dreams.
IV.
Our hero held that Lizard-love was a sentiment unknown, yet beneath
the stone on which he sunned himself, a pair of bright eyes feasted
upon his every look and action, and a little heart throbbed for him
alone. This romantic worshipper feeling that she might just as well
lavish her love upon a stone, that her adoration was unobserved, and
her passion unrequited, sank into a state of despondency. Haunted by
dark doubts, she at last thought of death as the end of her sorrows.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account