Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
In her extremity, she inquired of an old Rat, whether it was better
to live and suffer, or to die and be done with dreams and delusions?
“Die, of course,” said the Rat, “if you cannot make yourself
agreeable.”
“I will die!” she exclaimed; “but he shall know the reason, he shall
know all!”
Such is the force of a noble resolution, that the little Lizard who
had never till now dared to look her loved one in the face, came
forward. But her approaches were met by the gradual retreat of our
hero, for he was naturally timid in the presence of females.
“Stay,” cried the little one in a tone of despair. “I love you, and
you do not even know that I exist. I must die.”
“Don’t die, my dear,” he kindly replied; “that would be highly {379}
improper. What do you mean by saying you love me? I am a stranger to
you, yet a joke comes well from those pretty lips.”
[Illustration]
He instantly perceived, for he was an honest fellow, that his cold
doubts wounded her sensitive nature, and a light warmer and brighter
than the sun flashed from her eyes and took possession of him. He was
conquered—he proposed, and they were married. {380}
It always happens so with bachelors. It is the last straw that breaks
the camel’s back, in love as in life.
Our hero still glories in the sunshine, and takes his ease stretched
out before his own doorway.
[Illustration]
HISTORY OF THE HOSTS OF THE TERRACE—_Continued_.
The Duchess was by nature a person born to be plump and healthy;
to eat her food with the appetite of a country clown, and to enjoy
drinking and dining with a savage relish. But she crushed and curbed
these tendencies before the world, gratifying them only in secret.
In token of her exalted station she professed sensitiveness and
delicacy. She was frightened by the fall of a leaf, the flight of a
bird or insect, and above all, by her own bulky shadow.
Before folk she uttered nothing but plaintive, feeble cries,
reserving the full blast of her lungs for the ears of the Duke. The
purest air was too heavy for this ethereal Owl, who detested the
sun—the God of paupers, as she termed it—Her husband, astonished
at the fine carriage, grace, and society-refinement of his poor
barn-Owlet, exhausted his resources in efforts to keep pace with her.
Alas! his highest flights left him far behind, so far, indeed, that
his faithful spouse bemoaned and bescreeched her fate in being wedded
to a person so hideously vulgar.
The Duchess eloped with a Kite, and no one pitied the Duke, for the
fall brought by pride never begets pity.
As a finishing blow the lady left a perfumed note for her husband
{381} on the spot where they performed their moonlight duets on the
terrace. It ran as follows:—
“THE DUKE,—It is part of my destiny to be misunderstood, I shall not
therefore attempt to explain to you the motive for my departure,
“(Signed) THE DUCHESS OF THE TERRACE.”
Public-domain text, read in full here on John Shaqi.
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