Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
“Listen!” said one; “he speaks well, although thick, like a person in
liquor.”
“This is horribly interesting.”
“You witnessed,” I continued, almost fainting, “an act of devotion.
I loved”—— The hilarity burst forth anew, and the grasshoppers, no
longer able to control themselves, joined hands and danced round me
like a troop of green devils, singing—
“Hail, lover, hail! joy to your tender heart.”
They certainly enjoyed themselves thoroughly that day. After all,
they had only obeyed their nature, and I had mistaken my own.
I had fully proved my own vanity and stupidity—at least, that was the
opinion of my friend the Porcupine, who that night drove me out of
his den.
From that time I felt myself an outcast, and sought humbly to win
the favour of my own kind by making myself useful in my own proper
sphere. I became almost a creature of the night, and lost sight of
much of the beautiful that had charmed me, for the world is full of
beautiful things to those who can look out of and beyond themselves.
It boasts also fortunate beings whose lives would be all the more
happy if they would only consent, now and then, to yield up one of
their joyous hours to gladden the hearts of the poor. I ask you, dear
reader, is it not so? You may be a creature, charming in person,
refined in manner, and successful. Their attributes, as you use
them, may make {87} you either a god-like ministering spirit in the
world, or a fascinating fiend. Your strong sympathy and timely help
may lighten the burden of the poor, may cause a deformed brother to
forget his deformity and delight in your beauty as much as if it
were his own. There would be no plain-looking or even ugly creatures
to curse the day of their birth, were there no cruel, well-favoured
observers to wound them with their looks and gestures. But I am
forgetting the lesson which I myself learned late in life. I had put
myself in the way of finding out by experience that a poor toad could
never have wings, nor, though everything is fair in love and war,
could he hope to win the heart of a grasshopper.
I am now full of years and philosophy; my wife, like myself, is
a contemplative full-bodied toad, in whose eyes I am perfectly
beautiful. I must own my appearance has greatly improved. The like
compliment cannot be honestly paid to my mother-in-law, who has
caused me no small trouble. She increases in age and infirmities. The
reader will pardon my repeating, that notwithstanding my rotundity,
I am no longer ugly. Should he have any doubt on this point, let him
ask my wife!
[Illustration]
{88}
THE THEATRICAL CRITIC.
MY DEAR MASTER,
[Illustration]
Public-domain text, read in full here on John Shaqi.
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