Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
Perhaps the finest scene was laid in the forest of Aranjuez, when
the queen-dog walked pensively along with ears cast down, and a
poodle held her graceful tail. Suddenly, at the bend of a path, she
encounters Azor—Azor renewed, resplendent—the Azor of her dreams.
Is it really he? Oh mystery! oh terror! oh joy!! Their eyes meet,
and, eloquent with passion, tell their tale of love. Everything was
forgotten in those moments of bliss. Had any one reminded Zemire
that she filled one of the proudest thrones in the world, she would
have replied, “What of that, so long as one loves?” Had Azor been
informed of his humble position, he would simply {93} have shown his
teeth. Oh delights, miseries, joys of love! and also, to conclude
my exclamations, oh vanity of vanities! know that every door has a
hinge, every lock a key, on the rose is a grub, in the {94} kennel
a dog, and to every lamp, for the most cogent reason, there belongs
a wick, and so in the forest of Aranjuez there lurks a terrible Dane
who views our friends’ behaviour from afar.
[Illustration]
“Ah! oh! so you love each other, do you? Tremble! tremble! for {95}
your fate.” While speaking thus, when Zemire had quitted the scene,
the Dane approached Azor. “So! so!” said he, “Zemire thinks you
angelic in your borrowed beauty. You must now assume the skin of
a porcupine, and with quills erect, dirty, hideous, smeared with
sand and ashes, show yourself to Zemire, and break the spell that
binds her!” Thus howled the Dane, giving full vent to his passion in
foaming rage. Poor Azor obeyed, and appeared before his mistress.
Standing beneath a frightful long-beaked heron, he bowed to the
queen, declaring that he had played her false, as he was only an
obscure turnspit, and begging her forgiveness. Then he remained
motionless, prepared for his doom. Zemire cast herself at his feet,
“Ah!” she said, “let me share your sorrows. I love you still, even in
your vile condition. There! I give you my paw in the face of all the
world.”
[Illustration]
{96}
During this touching scene the whole house was moved to tears, and
at the close came down with thunders of applause. Every one, beasts
and birds—even to a flea on the tip of my nose—seemed delirious
with excitement. With great presence of mind I bit the tail of an
impulsive cock, arresting his flight to the stage to challenge the
Dane. In a few soothing words I assured him that the villain was
really a very decent fellow in his own house. At the same time I
reminded him that, as the village cock, he might be missed in the
morning from his dunghill, where he performed the useful office of
heralding the dawn.
Public-domain text, read in full here on John Shaqi.
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