Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
The curtain fell on the fourth act. As to the fifth, I do not intend
to usurp your place as critic, but will conclude by saying that in
this act the dogs had become tigers—a natural metamorphosis of which
good authors avail themselves. The tiger, with equal consistency,
killed his wife by mistake, and consoled himself by slaughtering his
friends. It seems, when fairly married, Zemire became a tigress.
This, I have heard, is one of those unaccountable changes which not
unfrequently occur in real life. Be that as it may, the curtain at
last fell on scenes of crime, murder, and confusion.
[Illustration]
After the close of the drama, attendants handed round refreshments.
As for me, I followed your example. As it was the first night of
representation, I left the box at once with the air of one burdened
with thought; and making my way to the green-room, joined a group
of theatrical critics walking about with a supercilious pedantic
air. One had the {97} sting of the wasp, another the beak of the
vulture, a third the cunning of the fox. Beasts of prey were there,
hungering for helpless victims. Lions proudly showing their teeth. Of
mischievous animals of all sorts, it was a goodly company. I ought to
inform you, as soon as it became known that you belonged to me I was
permitted to go behind the scenes, and to cultivate the acquaintance
of the actors. But I must now conclude this rambling review, a
friendly greyhound is waiting to join me at supper.
[Illustration]
{98}
THE PHILOSOPHIC RAT.
PERSONAGES.
GNAWER, _Rat with grey beard_.
TROTTER, _A young rat, pupil of Gnawer_.
BABOLIN, _Dispenser of holy water_.
TOINON, _Daughter of Babolin_.
A VOICE.
SCENE I.
A DINING-ROOM MODESTLY FURNISHED.
GNAWER _alone, coming and going, seemingly much preoccupied_.
[Illustration]
My pupil Trotter is coming to share my dinner. I hope he may find no
cause to regret his old master’s invitation [_smelling an old piece
of cheese he found under the table_]. There now is a bit of cheddar
whose delicious perfume would make a dead rat come to life! We shall
hear what my pupil thinks of it. The rats of the rising generation
are so strange they seem to care for nothing. Nothing pleases them,
or dispels the frown they constantly wear. In my young days we were
less fastidious, we took things as they came. One day we dined off
corn, another off wood—wood or corn, it was all the same to us. Now,
alas! all is changed. There is no contentment. If my pupils have
bacon and nuts, they lament the absence of cheese. What is the world
coming to? Trotter is late, I wonder if anything has happened to him.
{99}
SCENE II.
THE OLD RAT AND HIS YOUNG PUPIL.
_Trotter._ [_Looking in at the window._] Master, may I come in?
_Gnawer._ What! by the window? can’t you find the door? But I forgot,
you rats of the modern school never do as others do. Come, let us
dine, the things have been waiting long enough.
Public-domain text, read in full here on John Shaqi.
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