Publications of the Mississippi Historical Society, Volume 02 (of 14), 1899Mississippi Historical Society
History
Publications of the Mississippi Historical Society, Volume 02 (of 14), 1899
Mississippi Historical Society
Mississippi -- History
But his muse was also often pensive, and in that mood he softly sings
as if to himself alone. Among the best of these poems of reflection are
"A Memory," "Alone," "Nebulae," and "Look Up." In them the visions and
the melody evoked are often strangely beautiful and haunting; but a
depressing undertone like a sigh runs through them all.
The misty realm of dream-land lies before me,
O Sleep! in thine embrace,
What shadows from the past are flitting o'er me,
What mocking memories traced;
The dim procession, slowly wafted onward,
Prolongs the dreary moan
That finds an echo in that fated one word,
Alone! Alone!
From "The Master Thought" and "If Tongues Were Steel," the conclusion
might be drawn that a cynic set words to the tunes. The last stanza of
the first of these is keenly pointed and sadly near the truth:
"Still man, though born a Socrates or Nero,
If white with truth, or black with falsehood's taint,
Would rather gleam in marble as a hero,
Than glow on canvas, pictured as a saint."
His intense hatred of shams and fraud of every kind occasionally found
indignant voice; as
"O God! were all the lies distilled
From supple lips in cunning skilled,
Hell would be stretched and overfilled;
Aye, moulded in one burning curse,
'Twould wreck a shaken world; nay worse!
Would crush and damn a universe."
But these were transient and rare utterances. "Though far from the east
the youth had traveled, he still was Nature's priest." The boy dreamer
among the Connecticut hills is now a poet on the Southern prairies.
"And by the vision splendid
Is on his way attended."
"The glory had not yet passed from earth." Nature beckoned him
continually, and gladly obedient to the summons, he sought her haunts,
caught the visions, heard her minstrelsies, and forgot the while his
burdens, his loneliness, and his long sorrow. Many of his poems in
whole or part might be cited in proof of this. Most prominent are "The
Dying Year," "The South Wind," and "The Night Storm."
For its rich setting and striking presentation of a common theme this
poem is reproduced entire:
THE DYING YEAR.
The year is dying as the dolphin dies,
Not with the ashen hue,
Death's signal color, ere the fading eyes
See dimly, darkly through
The waxen lids. No pallor creeps along
The earth and sky; no tone
Floats through the air like a funeral song,
Or like a dying groan.
The warm rich sunlight gilds the autumn trees
Whose gorgeous tints are spread,
Each toning each, and fringed with heraldries
Of purple, gold, and red
The crimson myrtle burns upon its stem
As though a heart of fire,
The yellow maple, like an oriflamme,
Lifts up its banner higher.
Public-domain text, read in full here on John Shaqi.
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