Great Britain -- History -- Fiction; Space and time -- Fiction
The Theatre lay in a meadow called the Long Slip. A little mill-stream,
carrying water to a mill two or three fields away, bent round one corner
of it, and in the middle of the bend lay a large old Fairy Ring of
darkened grass, which was the stage. The millstream banks, overgrown
with willow, hazel, and guelder-rose, made convenient places to wait in
till your turn came; and a grown-up who had seen it said that
Shakespeare himself could not have imagined a more suitable setting for
his play. They were not, of course, allowed to act on Midsummer Night
itself, but they went down after tea on Midsummer Eve, when the shadows
were growing, and they took their supper--hard-boiled eggs, Bath Oliver
biscuits, and salt in an envelope--with them. Three Cows had been milked
and were grazing steadily with a tearing noise that one could hear all
down the meadow; and the noise of the Mill at work sounded like bare
feet running on hard ground. A cuckoo sat on a gate-post singing his
broken June tune, 'cuckoo-cuk', while a busy kingfisher crossed from the
mill-stream, to the brook which ran on the other side of the meadow.
Everything else was a sort of thick, sleepy stillness smelling of
meadow-sweet and dry grass.
Their play went beautifully. Dan remembered all his parts--Puck, Bottom,
and the three Fairies--and Una never forgot a word of Titania--not even
the difficult piece where she tells the Fairies how to feed Bottom with
'apricocks, green figs, and dewberries', and all the lines end in 'ies'.
They were both so pleased that they acted it three times over from
beginning to end before they sat down in the unthistly centre of the
Ring to eat eggs and Bath Olivers. This was when they heard a whistle
among the alders on the bank, and they jumped.
The bushes parted. In the very spot where Dan had stood as Puck they saw
a small, brown, broad-shouldered, pointy-eared person with a snub nose,
slanting blue eyes, and a grin that ran right across his freckled face.
He shaded his forehead as though he were watching Quince, Snout, Bottom,
and the others rehearsing _Pyramus and Thisbe_, and, in a voice as deep
as Three Cows asking to be milked, he began:
'What hempen homespuns have we swaggering here,
So near the cradle of our fairy Queen?'
He stopped, hollowed one hand round his ear, and, with a wicked twinkle
in his eye, went on:
'What, a play toward? I'll be auditor;
An actor, too, perhaps, if I see cause.'
The children looked and gasped. The small thing--he was no taller than
Dan's shoulder--stepped quietly into the Ring.
'I'm rather out of practice,' said he; 'but that's the way my part ought
to be played.'
Still the children stared at him--from his dark-blue cap, like a big
columbine flower, to his bare, hairy feet. At last he laughed.
'Please don't look like that. It isn't my fault. What else could you
expect?' he said.
'We didn't expect any one,' Dan answered, slowly. 'This is our field.'
Public-domain text, read in full here on John Shaqi.
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