Fantasy fiction; Great Britain -- History -- Fiction; Space and time -- Fiction
The Theatre lay in a meadow called the Long Slip. A little
mill-stream, carrying water to a mill two or three fields away, bent
round one corner of it, and in the middle of the bend lay a large old
Fairy Ring of darkened grass, which was the stage. The millstream
banks, overgrown with willow, hazel, and guelder-rose, made convenient
places to wait in till your turn came; and a grown-up who had seen it
said that Shakespeare himself could not have imagined a more suitable
setting for his play. They were not, of course, allowed to act on
Midsummer Night itself, but they went down after tea on Midsummer Eve,
when the shadows were growing, and they took their supper--hard-boiled
eggs, Bath Oliver biscuits, and salt in an envelope--with them. Three
Cows had been milked and were grazing steadily with a tearing noise
that one could hear all down the meadow; and the noise of the Mill at
work sounded like bare feet running on hard ground. A cuckoo sat on a
gate-post singing his broken June tune, 'cuckoo-cuck', while a busy
kingfisher crossed from the mill-stream, to the brook which ran on the
other side of the meadow. Everything else was a sort of thick, sleepy
stillness smelling of meadow-sweet and dry grass.
Their play went beautifully. Dan remembered all his parts--Puck,
Bottom, and the three Fairies--and Una never forgot a word of
Titania--not even the difficult piece where she tells the Fairies how
to feed Bottom with 'apricocks, green figs, and dewberries', and all
the lines end in 'ies'. They were both so pleased that they acted it
three times over from beginning to end before they sat down in the
unthistly centre of the Ring to eat eggs and Bath Olivers. This was
when they heard a whistle among the alders on the bank, and they jumped.
The bushes parted. In the very spot where Dan had stood as Puck they
saw a small, brown, broad-shouldered, pointy-eared person with a snub
nose, slanting blue eyes, and a grin that ran right across his freckled
face. He shaded his forehead as though he were watching Quince, Snout,
Bottom, and the others rehearsing Pyramus and Thisbe, and, in a voice
as deep as Three Cows asking to be milked, he began:
'What hempen homespuns have we swaggering here,
So near the cradle of the fairy Queen?'
He stopped, hollowed one hand round his ear, and, with a wicked twinkle
in his eye, went on:
'What, a play toward? I'll be an auditor;
An actor, too, perhaps, if I see cause.'
The children looked and gasped. The small thing--he was no taller than
Dan's shoulder--stepped quietly into the Ring.
'I'm rather out of practice,' said he; 'but that's the way my part
ought to be played.'
Still the children stared at him--from his dark-blue cap, like a big
columbine flower, to his bare, hairy feet. At last he laughed.
'Please don't look like that. It isn't my fault. What else could you
expect?' he said.
'We didn't expect any one,' Dan answered slowly. 'This is our field.'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account