Punch, or the London Charivari, Vol. 105, November 11, 1893Various
General
Punch, or the London Charivari, Vol. 105, November 11, 1893
Various
English wit and humor -- Periodicals
_Wildf._ (_to himself, as he goes to the wing_). Nice boy that; didn't
think he'd care so much; must keep an eye on him. _Flattery_ must
be over now. I wish I could have stayed to see it out; it was going
magnificently; but there were some rather risky scenes ahead. Still, I
believe it's a success; and, if it is, I shall have done with all this
for ever after to-night. I can go to ALTHEA and tell her, without----
By Jove! wasn't it to-night that Old TOOVEY was to be in front? I
wonder what he'll think of it. (_He looks at himself in the mirror._)
He'll have some difficulty in recognising me in this get up. Well, I
shall know on Monday. (_He goes on, and sings; then rushes back to the
wing to change his costume, with the assistance of his dresser._) Yes,
the coat, now, dresser, please. (_To himself, as he paints some lines
on his face._) I couldn't see anyone at all like old TOOVEY. Very odd!
They must have sent him the box, I suppose. Well, it doesn't
matter; if he didn't think it necessary to come, so much the better.
(_Aloud._) Wigpaste, please. Now the boards. All right--I'm ready.
(_To the Boy._) Now, youngster, look out for your cue.
[_He goes on._
_The Limelight Man_ (_up in the flies--to himself_). What's wrong with
Mr. WILDFIRE? He as nearly broke down just now as----and I can't keep
the limelight on him nohow to-night! He can't have been drinking--he
ain't _that_ sort. But he do look bad--it's as much as ever he can do
to go through with it; somethink's given him a turn.
_Wildfire_ (_to himself, as he goes back to the wing, unsteadily_).
She's here--and, what's worse, she's recognised me! She must have, or
she would never have looked like that. If I could only have told her
first; but, to discover it like this,--she'll think I meant to----
(_He pitches away his boards in a fury._) Well, I've done for
myself--it's all over! (_To his dresser._) A note, eh?
[_He opens it, and reads the contents mechanically_; Mr. TADMAN
_and one or two other artistes come up with curiosity on seeing his
expression_.
_Tadm._ Why, WILDFIRE, old man, what's this? Play gone wrong? Never
mind, dear boy, we can't have everything. But what's the report, eh?
_Wildf._ (_impatiently_). Oh, I don't know. What does it matter now?
(_He lets the note fall._) There, you can read it if you want to know.
[_He walks away._
_Tadm._ (_with complacency_). Poor chap, he's hard hit! But I could
have told him it wasn't to be expected that---- (_He picks up the
note, and reads it with a falling jaw._) Hullo! What's the meaning of
this? It says the piece is a tremendous go--safe for a long run--had
to raise the rag again and again. Why, he'll make his fortune over
this alone; and yet, look at him! (_Pointing to_ WILDFIRE, _who has
seated himself on the pile of lumber, in utter dejection_.) And all
those fools in front clapping and stamping for him to come on again.
What _more_ does the feller want, I wonder!
END OF SCENE XIII.
Public-domain text, read in full here on John Shaqi.
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