PUNCH, OR THE LONDON CHARIVARI. VOL. 108. JUNE 29, 1895. _edited by Sir Francis Burnand_ OPERATIC NOTES. _Monday._--Tannhäuserites disappointed. Signor VIGNAS indisposed. _Tannhäuser's_ understudy _Faust_ put up. House good. Performance better. PLANÇON,--once _Jupiter_ now _Mephistopheles_, the extremes meeting in one singer,--excellent. MELBA quite the German Fräulein. BEVIGNANI, C. B., _i.e._, "Conducting Beautifully," in the chair. _Tuesday._--Many other attractions, yet heart is true to Opera. M. VICTOR MAUREL, as _Iago_, adds another leaf to his victor's wreath of Laurel. MAGGIE MACINTYRE makes distinct advance, and sings, "O Willow, we have missed you" most melodiously. TAM AGNO as _Misther O'Tello_, the Irish darky singer, uncommonly powerful. RICHARD GREEN, _Montano_, greener than ever: quite fresh. PERCY MORDY a good _Roderigo Randomo_. The highly Pole-ish'd OLITZKA a fair representative of _Emilia_. And this cast, with Merry MANCINELLI manipulating musicians, makes the Opera a delight to the _fine fleur_ of the Covent Gardenian Hot House. [Illustration: Pagliacci.] _Wednesday._--House crammed to see and hear ADELINA PATTI as _Rosina_ in the ever delightful _Barbiere di Siviglia_. ROSSINI for ever! "Whar's your WULLIE WAGNER noo?" PATTI'S acting worth a third of the money; her singing makes up t'other two-thirds. "Bonus" to audience in "_Home, Sweet Home_." Wrapt attention! Here we are all of us out for the night, so to speak, in silks and satins and jewels rare, and with feathers and diamonds and all our war paint on, off afterwards to routs, balls and supper-parties, and yet all hushed, conscience-stricken as it were, in the midst of our gaiety, by sweet voice warbling so distinctly "Home! Home! Home! Sweet Home! Wherever (including the Opera Covent Garden) we wander (and we can't wander when our attention is riveted on _la Diva_) there is no-oh-o-o place like Ho-ome!" And then, second verse finished, a storm of rapturous applause bursts over the singer! Yes! those are our sentiments. "Home! Home!" by all means. Only--excuse us--we "_won't_ go Home Sweet Home till morning, till daylight doth appear." But why, ADELINA _mia_, didst thou sing at the end of the Opera that remarkably anti-climaxious waltz of TI-TO-TUM MATTEI'S? TI-TO-TUM all very well in his way, but not a ROSSINI. And then you sang it from a paper in your hand as though doing penance in a music sheet? A mistake, ADELINA, don't do it again, spin your TI-TO-TUM at a concert, but not in ROSSINI'S _Barbiere_. BERTHA BAUERMEISTER obtained a rapturous encore, but shook her finger at the audience as who would say "too late! too late!" So BEVIGNANI bowed, and on we went again merrily. PINI-CORSI good as pantaloon _Bartolo_. ANCONA a capital _Figaro_, looking like one of _Cruikshank's_ comic characters. 'ABRY MUNDY, fine _Basilio_ done in Italian oils; M. BONNARD, light and airy French count, more of larker than lover. All Home-Sweet-Home-ing (or