Punch, or the London Charivari, Vol. 109, August 24, 1895 — John Shaqi
Punch, or the London Charivari, Vol. 109, August 24, 1895Various
General
Punch, or the London Charivari, Vol. 109, August 24, 1895
Various
English wit and humor -- Periodicals
_Farewell!_ The tender is about to depart. It seems to me to be
as full as when it arrived. "Cheers, tears and laughter:" only the
laughter is a bit forced, while the tears are natural, and the cheers
most hearty. The tender hesitates. Tug evidently tender-hearted; can't
bear to part with the good ship _Orotava_. No; this is not the cause
of the delay. Some one is waited for. Tender crew impatient. Where is
he? Who is he? Find him. Some one, in ordinary frock coat and top hat
but clearly an official on board tender, puts both hands to his
month and shouts out what sounds to me like "Wait for Mister TUBBS!"
Evidently tender cannot go ashore without TUBBS; equally evident
that TUBBS is not to sail with the _Orotava_. Puzzle, to find TUBBS.
Stewards, chief officers, mates, men rush in all directions to rout
out TUBBS. Look-out man aloft in sort of suspended clothes basket
cannot get a sight of TUBBS either in the offing or out of it. Nothing
like TUBBS to be seen anywhere. Somebody reports at top of voice "He's
with the captain." Captain up above somewhere, invisible, denies soft
impeachment as to being cognisant of the whereabouts of TUBBS. What
is TUBBS doing? Playing hide and seek? Search light turned on into
darkest and deepest depths of _Orotava_. No TUBBS. Suddenly first
gangway withdrawn, and grasp of tender partially relaxed. Exciting
moment. Crew of tender rattle second gangway threateningly: their
patience is almost exhausted. The cry goes up once more for TUBBS
ahoy! Even the weeping wives and sorrowing friends, lovers and
children forget their dear ones for a moment and strain their eyes in
every direction, gasping for a glimpse of invisible TUBBS. At last
a small, stoutish figure appears on the gangway. Is he hatless?
breathless? Not a bit of it. He walks the gangway as if he yet had
hours of leisure before him, and was quite unconscious of having kept
anyone waiting. It is TUBBS himself. The self-possession of TUBBS
is remarkable, nay admirable. He notices nobody. Speaks to nobody.
Suddenly he disappears; the gangway is withdrawn; more cheers, more
waving of pocket-handkerchiefs, and the tender, with the impassive
TUBBS to boot, drifts out of sight, and the _Orotava_ is fairly under
weigh.
* * * * *
[Illustration: WITHOUT PREJUDICE.
_Ugly Man_ (_who thinks he's a privileged wag, to Artist_). "NOW, MR.
_DAUB_IGNY, DRAW ME."
_Artist_ (_who doesn't like being called_ Daub_igny, and whose real
name is Smith_). "CERTAINLY. BUT YOU _WON'T_ BE OFFENDED IF IT'S
_LIKE_ YOU. EH?"]
* * * * *
THAT POOR IRISH HARP!
MOORE hymned the "Irish Melodies,"
And as he harped all heeded _his_ chords.
But heaven help the bard who tries
To harmonise the "Irish Discords"
The Paddies quarrel, gird, and carp,
Blend petty squeak with mad mock-thunder.
No Minstrel Boy may tune that Harp
Since faction "tore its chords asunder."
* * * * *
Public-domain text, read in full here on John Shaqi.
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