Punch, or the London Charivari, Vol. 146, April 22, 1914Various
General
Punch, or the London Charivari, Vol. 146, April 22, 1914
Various
English wit and humor -- Periodicals
Gwendolen, when we were wed,
In her artless manner said,
"Dear, I think I'd better
Choose a hobby, lest I find
Household duties cramp the mind."
Foolishly, I let her.
Books at first were her delight;
Gwendolen grew erudite;
Vain were my petitions,
Till in scientific terms
I dilated on the germs
Haunting first editions.
Then, for one expensive week,
China (guaranteed antique)--
Derby, Sevres and Lustre--
Charmed her, till our Abigail
Washed them in a kitchen pail,
Dried them with a duster!
Foreign stamps her time engrossed
For a busy month at most;
I endured--and waited.
Who so proud as Gwendolen
Of each gummy specimen
Till the craze abated?
Later (if I seem severe,
Gwendolen, forgive me, dear!)
Art proved all-compelling;
Post-Impressionist indeed
Were the colour-schemes decreed
For our modest dwelling.
* * * * *
With her last experiment
Gwendolen appears content;
Heaven grant she may be!
For, of all the hobbies run
By my wife, there isn't one
Suits her like a baby.
* * * * *
THE SITTER SAT UPON.
Wilkinson is a sculptor. I don't mean that he lives by sculping. No. As he
puts it himself: "My lower self, the self that wants bread and meat and
warmth and shelter, lives on unearned increment. My higher self, the only
self that counts, lives on Art."
Wilkinson and I had been sworn pals from our boyhood till the day he said:
"By the way, old thing, I've never had a turn at _your_ headpiece. You
might give me a few sittings."
For the first time I found myself seated on a sitter's throne, while
Wilkinson stood at his modelling stand working away at a mass of clay that
faintly suggested a human head and shoulders.
"Need you yawn so often?" There was a hint of savagery in Wilkinson's tone
that was new to me.
"Why, you're not doing my mouth yet," I urged.
"No, but when a mouth like yours opens wide it alters the shape of the
whole skull."
I was astonished and hurt, and took refuge in dignified silence.
"Shall you send it--I mean me--to the Academy?" I asked by-and-by.
"Depends on how it pans out," grunted Wilkinson, leaving the clay, twirling
the movable throne round, and taking a frowning survey of me in various
aspects. "I might send it in with Popplewell's bust, as a sort of
make-weight."
"As a sort of make-weight!" I echoed indignantly; and then, more calmly,
"Popplewell's finished, isn't he?"
"Yes--gone to be cast; and then comes the marble."
"Oh, Popplewell's to be done in marble, is he? What shall _I_ be done in?"
Wilkinson was taking an upward view of my features now, with a look of
extreme distaste on his countenance.
"You? Oh, if I decide to finish you, it'll be just the clay-burnt
terra-cotta, you know. Tut, tut, tut!"
"Why tut, tut, tut?" I asked.
Public-domain text, read in full here on John Shaqi.
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