Punch, or the London Charivari, Vol. 146, February 4, 1914Various
General
Punch, or the London Charivari, Vol. 146, February 4, 1914
Various
English wit and humor -- Periodicals
Mrs. LEVERSON is one of those authors who baffle criticism by sheer high
spirits. She gives me first and last a prevailing impression that
novel-writing must be tremendous fun; and this is so cheering that it is
really impossible to be angry with her. Otherwise I might have some very
sharp things to say about her light-hearted disregard of syntax and
punctuation. Her pronouns, for example, are so elusive that not only am I
frequently in doubt as to whom the heroine will marry in the end but as to
which of the characters is speaking at any given moment. And not
infrequently what can only be careless proofreading leaves sentences that
contradict each other into an effect of nonsense. But just when I should be
noting all these subjects for legitimate censure I am probably devouring
page after page with giggles of delight for the wit and jollity of them.
_Bird of Paradise_ (GRANT RICHARDS) is in every respect a worthy companion
to its predecessors. There are no very severe problems in this story of a
group of Londoners, but plenty of the lightest, most airy dialogue, and
some genuine character-drawing, conveyed so deftly that you only detect it
afterwards by the way in which the persons remain in your memory. The whole
thing, of course, is modern to the last moment; tango-teas and Russian
ballets and picture-balls besprinkle the conversation. There is even a
passage about a certain famous shop that made me wonder whether the New
Advertising, familiar to readers of the afternoon journals had also invaded
the realm of fiction. You will observe that I have made no effort to repeat
the story; as it contains at least three heroines and five heroes the task
would be too complicated. But you can take it on trust as a comedy of want
of manners, brilliantly alive, exasperatingly careless, and altogether the
greatest fun in the world.
* * * * *
Public-domain text, read in full here on John Shaqi.
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