Gen, age op, no fam (loathe fams), no early dins, late dins, or hot dins. Wages half emplyrs inc (Chart Accts cert), evry wk-end off, lib breakges (best china only), charm neighbd, young soc, exc golf clb, amatr theatrels (leadg prts guarntd), Cindrlla dnce Twn Hll twee ninthly, ann hoi Deauville, all exes pd, pre-historic ckng only, no veg, caps, aprons, restrictns. Lchkey, long gard, summr hse. Mrs. Rex Jones, The Awnings, Bourne End (Pic pal 3 min). Imbecile, as Gen, L18, 9 fam (last census), honest, wllng, ohlg, early risr, pin ck, fond hse wk, chldrn, one eve mthly. Mrs. Spero, The Warren, Stickham-in-Clay, Bucks. * * * * * THE TRUST CLINCH. [Illustration: President Wilson. "BREAK AWAY THERE, GENTLEMEN!" [In his Message to Congress upon legislation regarding Trusts, President WILSON advocated "the effectual prohibition of interlocking" amongst great industrial and financial corporations.]] * * * * * SCALE OF IMPORTANCE IN THE PRODUCTION OF A MODERN REVUE. [Illustration: Costumier. Principal Actress. Comedian. Producer. Scene Painter. Composer. Authors.] * * * * * MUSIC AND MILLINERY. The luminous suggestion that ladies attending the forthcoming performances of _Parsifal_ should wear mantillas instead of aigrettes is almost the first serious attempt to bring the arts of music and dress into a true and fitting relation. We are therefore not in the least surprised to learn that a movement is on foot to promote sumptuary legislation to secure this end as part and parcel of Mr. LLOYD GEORGE's far-reaching programme of social reform. Pending the realisation of these schemes the Editor of _Music for the Million_ has had the happy thought of interviewing a number of distinguished musicians, whose views may be summarised herewith. Sir HENRY WOOD said that conductors and orchestral players were extraordinarily sensitive to sartorial influences. Unfortunately the force of tradition was so strong that he found it impossible to indulge his tastes. It was _de rigueur_ to conduct in either a frock or an evening coat, but if he had his own way he would vary his garb for every composer. For example, he would like to wear a harlequin's dress for STRAUSS, a full-bottomed wig and ruffles for BACH, HAYDN and GLUCK, a red tie and a cap of Liberty for SCHOeNBERG, and the uniform of a Cossack of the Ukraine for TCHAIKOVSKY. Instead of which the utmost liberty that he was allowed was a butterfly tie. He thought that members of the orchestra ought to be permitted to consult their individual tastes in dress. Certain restrictions would of course be needed. Thus, uniforms were all very well for dance and restaurant bands, but he would not like to see the Queen's Hall Symphony Orchestra competing with Blue Bessarabians or Pink Alsatians.