Punch, or the London Charivari, Vol. 146, June 3, 1914Various
General
Punch, or the London Charivari, Vol. 146, June 3, 1914
Various
English wit and humor -- Periodicals
That _Second Nature_ (DUCKWORTH), which JOHN TRAVERS has in mind, is the
innate sense of obligation which compels a gentleman to be a gentleman,
whatever else he may be, in all that he does, says, thinks, eats, drinks
and wears. The family of _Westfield_ went back to times past
remembering, and it came a little hard to the descendant of such a stock
to have to choose his wife from among women who had done time or else to
lose that legacy by the help of which alone he could hope to keep up the
ancestral castle as a going concern. But so it was, by reason of the
testamentary caprice of a spiteful uncle; and the position was not eased
by the special condition for publicity, designed to bring it about that
the family records, which began proudly in Doomsday Book, should
conclude ignominiously in _The Daily Mail_. For _Jim_, always the
gentleman, there was choice only between the devil of poverty or the
deep sea of the Prisoners' Aid Society. He resorted to the latter
(refusing Suffragettes), and came by _Joan Murphy_ for wife who, with
all her excellent capacity, was no lady. Manslaughter, however, may be a
venial crime and physical beauty is a very saving grace, and, as these
things all happened in the earliest chapters, I readily foresaw an
ultimate end of the happiest nature and a solution of all difficulties
worked out in defiance of the probabilities. A disappointed prophet is a
captious critic and, the story turning out quite otherwise, I was very
much on the alert for latent faults. Of these I found none. True, I did
not altogether like _Jim Westfield_, but then I doubt if I was
altogether meant to. Furthermore I give many extra marks to the author
(as to whose sex, by the way, I have in my ignorance had moments of
doubt) for moving the scene to India and thus giving substance and
colour to a very remarkable love-story, while at the same time assisting
his original theme with the subtle comparison, rather hinted at than
dwelt upon, of caste.
* * * * *
Public-domain text, read in full here on John Shaqi.
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