Punch, or the London Charivari, Vol. 146, March 18, 1914 — John Shaqi
Punch, or the London Charivari, Vol. 146, March 18, 1914Various
General
Punch, or the London Charivari, Vol. 146, March 18, 1914
Various
English wit and humor -- Periodicals
But the staple fare is drama--red-blooded drama, where one is never in
doubt as to who is in love with whom, and how much. Sometimes, to be
frank, there is a passing flirtation, due to pique, between a wife and a
third party, leading to misunderstandings, complications and blank
despair on the part of the husband; but as there is always a "little
one" somewhere in the background, we are never anxious as to the final
outcome. It will end with the husband embracing the repentant (but
stainless) wife, and at the same time extending a manly hand of
reconciliation to the third party.
We also like the dying fiddler (with visions) and the motor-car
splurges--especially the latter. In our daily life we are plagued with
motor-cars, cycle-cars and motor-cycle side-cars, being on a highroad
from London town to the country; but on the screen we adore them.
The cinema is very restful. There are no problems to vex the moral
judgment; no psychological doubts; no anxieties. It will be "the mixture
as before," ending in the loving, lingering kiss.
Say what you will of Mr. REDFORD, he never deprives us of the kiss.
* * * * *
[Illustration: _Gladys_ (_who has been told she may see her convalescent
Daddy, but fails to recognise him with ten days' growth of beard_).
"Mummy, Mummy, Daddy's not there; but there's a burglarer in his bed."]
* * * * *
WATER ON THE BRAIN.
Some interesting revelations have been published in _The Daily Mail_ on
the tonic effect of the bath on our greatest workers, notably
stockbrokers, novelists and actors.
Mr. ARTHUR BOURCHIER declared that he read plays in the bath and that
the best results were obtained by those selected either in the bath or
on a long railway journey. "A man," he added, "is always at his best in
his bath." Again, Mr. CHARLES GARVICE, the famous novelist, said that he
always felt intensely musical while having his bath, though the ideas
for his stories came chiefly while he was shaving.
We are glad to be able to supplement these revelations with some further
testimony from the _elite_ of the world of letters.
Mr. CLEMENT SHORTER, in the course of an interesting interview, spoke
eloquently on the daily renewal of the bath. From the day when he first
became a Wet Bob at Eton he had never wavered in his devotion to
matutinal and vespertinal ablutions. In fact, his philosophy on this
point might be summed up in the quatrain:--
A bath in the morning
Is the bookman's adorning;
A bath at night
Is the bookman's delight.
His ideal form of exercise was a ride in a bath-chair, just as his
favourite diet was bath-chaps and bath-buns. For the rest he found that
the ideas of his best pars came to him while he was using a
scrubbing-brush which had belonged to Posh, EDWARD FITZGERALD'S boatman.
Public-domain text, read in full here on John Shaqi.
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