Punch, or the London Charivari, Vol. 146, March 18, 1914 — John Shaqi
Punch, or the London Charivari, Vol. 146, March 18, 1914Various
General
Punch, or the London Charivari, Vol. 146, March 18, 1914
Various
English wit and humor -- Periodicals
A period so bygone as that of His late Majesty KING HENRY II. (of whose
exact date you will scarcely need to be reminded) has not an immediate
and irresistible attraction for every novel reader, and it may take much
to persuade some that they will ever become really concerned with the
deeds and destinies of such people as _Jehane_ the woodward's daughter,
_Edwy_ the tanner of Clee, and _Lord Lambert do Fort-Castel_, be their
deeds and destinies never so adventurous or romantic. Further, the
juvenile manner of the pictorial cover attached to _Jehane of the
Forest_ (MELROSE) is not calculated to whet the appetite of the adult
public, and the eulogy of a well-known author, appended on a printed
slip, lacks the essential glow of the effective advertisement. It misses
the point; it is pedantic, and pedantry is the one thing for which wary
readers are on the look out in stories of antiquity. It is first
important, then, to acquit Mr. L. A. TALBOT of every offence of which,
in the blackness of the outward circumstances, he might be
suspected--affectations, anachronisms, excess of local and contemporary
colour, absence of humour or human touches, any tendency to bore. The
book presents a charming picture of the counties on the Welsh Border and
unravels a delightful tale in which the characters talk the language
peculiar to their time, but are controlled by the everlasting motives of
human nature. Though the times were harder than ours the people seem to
have been neither better nor worse than we are; and, when approached
from such a point of view as Mr. TALBOT has taken, there is nothing to
be said against, but very much to be said for, the period of 1154-1189,
which, as every schoolboy is punished for not knowing, covers the reign
of HENRY II.
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Public-domain text, read in full here on John Shaqi.
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