Punch, or the London Charivari, Vol. 146, March 4th 1914Various
General
Punch, or the London Charivari, Vol. 146, March 4th 1914
Various
English wit and humor -- Periodicals
The situations, though of a rather strenuous order, gave occasion from
time to time for humorous relief. At first, when the English servant
in the opening Act rudely interposed with a facetious comment on the
sincerity of the grief of certain mourners, I feared lest the humour
was going to be distributed loosely without regard to the propriety
of its mouthpiece. But the rest was reasonable enough; and my only
complaint about the best repartee ("There's no place like home." "Some
people are glad there isn't") has to do with its antiquity rather than
with its appropriateness.
I have never been to Manitoba (and, after seeing _The Land of
Promise_, I am definitely resolved, as I said, never to go), so I
cannot say whether Mr. MAUGHAM'S interiors corresponded to the facts;
but their freedom from any signs of picturesqueness gave them an
air of being the right thing. Life in these parts no doubt revolves
largely round the simple joys of the stomach. Seldom have I seen so
much eating on the stage. We began at Tunbridge Wells with a funeral
tea (though perhaps I ought to pass this over as taking place outside
the Dominion); then as soon as we get to Dyer (Manitoba) we had a
mid-day dinner, with washing-up; and then at Prentice (Manitoba) we
were regaled with a supper of black tea and syrup.
I am confident that there is a great opening for drama dealing
solely with Life Between Meals. To see people smoking on the stage is
sufficiently irritating; but, when you are assisting at a First Night
after a sketchy repast from the grill, all this feeding on the stage,
however frugal the menu, makes for exasperation.
Finally I must compliment Mr. MAUGHAM on his ironical title. For his
play, too, is a thing "of promise" rather than achievement, if it
is to be judged by the test of the Last Act. Still, if a play only
promises well enough and long enough--as this play did--that is an
achievement in itself.
O. S.
* * * * *
THE TORTOISESHELL CAT.
THE tortoiseshell cat
She sits on the mat,
As gay as a sunflower she;
In orange and black you see her blink,
And her waistcoat's white, and her nose is pink,
And her eyes are green of the sea.
But all is vanity, all the way;
Twilight's coming and close of day,
And every cat in the twilight's grey,
Every possible cat.
The tortoiseshell cat
She is smooth and fat,
And we call her Josephine,
Because she weareth upon her back
This coat of colours, this raven black,
This red of the tangerine.
But all is vanity, all the way;
Twilight follows the brightest day,
And every cat in the twilight's grey,
Every possible cat.
* * * * *
The Thrusters.
Public-domain text, read in full here on John Shaqi.
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