Punch or the London Charivari, Vol. 147, November 11, 1914Various
General
Punch or the London Charivari, Vol. 147, November 11, 1914
Various
English wit and humor -- Periodicals
A TOBACCO PLANT.
I had done the second hole (from the vegetable-marrow frame to the
mulberry-tree) in two, and was about to proceed to the third hole by the
potting-shed when I thought I would go in and convey the glad news to
Joan. I found her seated at the table in the breakfast-room with what
appeared to be a heap of tea spread out upon a newspaper in front of
her. Little slips of torn tissue-paper littered the floor, and on a
chair by her side were several empty cardboard boxes. The sight was so
novel that I forgot the object of my errand.
"What's all that tea for, and what are you doing with it?" I asked.
"It isn't tea; it's tobacco," Joan replied, "and I'm making cigarettes
for the soldiers at the front."
"Where on earth did you get that tobacco from, if it _is_ tobacco?" I
went on.
"Let me see now," mused Joan, pausing to lick a cigarette-paper--"was it
from the greengrocer's or the butcher's? Ah! I remember. It was from the
tobacconist's."
Joan gets like that sometimes, but I do not encourage her.
"But what made you choose this Hottentot stuff?" I enquired.
"The soldiers like it strong," Joan replied, "and this looked about the
strongest he'd got."
"What does it call itself?"
"It was anonymous when I bought it, but you'll no doubt see its name on
the bill when it comes in."
"Thanks very much," I said. "That's what I should call forcible
fleecing. Not that I mind in a good cause----"
"Isn't it ingenious?" interrupted Joan. "You just put the tobacco in
between the rollers, and twiddle this button round until--until you've
twiddled it round enough; then you slip in a cigarette-paper--like
that--moisten the edge of it--twiddle the button round once more--open
the lid--and shake out the finished article--_comme ca!_"
An imperfect cylindrical object fell on to the floor. I stooped to pick
it up and the inside fell out. I collected the _debris_ in the palm of
my hand.
"How many of these have you made?" I asked.
"Only three thoroughly reliable ones, including _that_ one," she
replied. "I've rolled ever so many more, but the tobacco _will_ fall
out."
"Here, let me give you a hand," I suggested. "I'll roll and you lick."
"No," said Joan kindly but firmly. "You don't quite grasp the situation.
I want to do something. I can't make shirts or knit comforters. I've
tried and failed. My shirts look like pillow-cases, and anything more
comfortless than my comforters I couldn't imagine. I wouldn't ask a
beggar to wear an article I had made, much less an Absent-Minded
Beggar."
"What about that tie you knitted for me last Christmas?" I said.
"Yes," said Joan; "what about it? That's what I want to know. You
haven't worn it once."
It was true, I hadn't. The tie in question was an attempt to hybridise
the respective colour-schemes of a tartan plaid and a Neapolitan ice.
Public-domain text, read in full here on John Shaqi.
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