Punch or the London Charivari, Vol. 148, February 10, 1915Various
History
Punch or the London Charivari, Vol. 148, February 10, 1915
Various
English wit and humor -- Periodicals
The forty-nine guinea one has challenged HUGH HENDERSON.
* * * * *
[Illustration: _East Coast Farmer._ "HAVE I REALLY TO DO THIS WI'
ALL MY BEASTS, IF SO BE AS THE GERMANS LAND IN THESE PARTS?"
_Officer._ "YES. LIVE STOCK OF EVERY DESCRIPTION HAS TO BE BRANDED
AND DRIVEN WEST."
_Farmer._ "I CAN SEE MY WAY ALL RIGHT EXCEPT FOR MY BEES. WHAT AM I
TO DO WI' MY BEES?"]
* * * * *
OUR BOOKING-OFFICE.
(_By Mr. Punch's Staff of Learned Clerks._)
There are few living writers of romance who can carry the sword and
doublet with the ease of Miss MARJORIE BOWEN. She has long
since proved herself a practised mistress of mediævalism, and _The
Carnival of Florence_ (METHUEN) finds her therefore on sure
ground. It is a pleasantly stimulating tale of love and adventure
in the days of SAVONAROLA. The heroine is one _Aprilis_, a
fair Florentine whose matrimonial affairs were complicated by the
fact that early in the story she had been abducted (strictly _pour
le bon motif_ in order to score off the gentleman to whom she was
then engaged) by the too notorious PIERO DEI MEDICI. The
unfortunate results were twofold, for though _Aprilis_ was returned
unharmed to her father's house her noble betrothed would have no more
of her, so she had to put up with another husband who took her for
charity, and to suffer in addition the pangs of unrequited love for the
Lord of Florence whom she was unable to forget. What happened--how the
MEDICI were turned from their heritage, and the part played in
all this by the grim Revivalist of San Marco--is the matter of a story
well worth reading. As is his way with tales in which he appears, the
figure of SAVONAROLA comes gradually to dominate the whole;
did he not even master GEORGE ELIOT? The present story is
dedicated "In Memory of Florence, Summer 1914." Presumably, therefore,
Miss BOWEN shares with me certain memories that have been very
vividly recalled by her pages--memories of a June evening when, as
in the days of which she writes, the Piazza della Signoria echoed to
the clash of swords and the tumult of an angry mob. That it has thus
reminded me of what would, but for greater happenings since, have been
one of my most thrilling chimney-corner reminiscences, is among the
pleasures that I owe to a stirring and successful novel.
* * * * *
Public-domain text, read in full here on John Shaqi.
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