Punch, or the London Charivari, Vol. 148, February 3, 1915 — John Shaqi
Punch, or the London Charivari, Vol. 148, February 3, 1915Various
History
Punch, or the London Charivari, Vol. 148, February 3, 1915
Various
English wit and humor -- Periodicals
_Arundel_ (FISHER UNWIN) is one of those stories that begins
with a Prologue; and as this was only mildly interesting I began to
wonder whether I was going to be as richly entertained as one has by
now a right to expect from Mr. E. F. BENSON. But it appeared
that, like a cunning dramatist, he was only waiting till the audience
had settled into their seats; when this was done, up went the curtain
upon the play proper, and we were introduced to Arundel itself, an
abode of such unmixed and giddy joy that I have been chortling over the
memory of it ever since. Arundel was the house at Heathmoor where lived
_Mrs. Hancock_ and her daughter _Edith_; and _Mrs. Hancock_ herself,
and her house and her neighbourhood and her car and her servants and
her friends--all, in fact, that is hers, epitomize the Higher Suburbia
with a delicate and merciless satire that is beyond praise. I shall
hurry over the actual story, because that, though well and absorbingly
told, is of less value than the setting. Next door to the _Hancocks_
lived a blameless young man called _Edward_, whom for many reasons,
not least because their croquet-lawns, so to speak, "marched," _Mrs.
Hancock_ had chosen as her daughter's husband. So blamelessly, almost
without emotion, these were betrothed, walking among the asparagus beds
on a suitable May afternoon "ventilated by a breath of south-west wind
and warmed by a summer sun," and the course of their placid affection
would have run smooth enough but for the sudden arrival, out of the
Prologue, of _Elizabeth_, fiercely alive and compelling, the ideal
of poor _Edward's_ dreams. Naturally, therefore, there is the devil
to pay. But, good as all this is, it is _Mrs. Hancock_ who makes the
book, first, last and all the time. She is a gem of purest ray serene,
and my words that would praise her are impotent things. Only unlimited
quotation could do justice to her sleek self-deception and little
comfortable meannesses. In short, as a contemporary portrait, the
mistress of Arundel seems to be the best thing that Mr. BENSON
has yet given us; worth--if he will allow me to say so--a whole
race of _Dodos_. For comparison one turns instinctively to JANE
AUSTEN; and I can sound no higher praise.
Public-domain text, read in full here on John Shaqi.
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