Punch, or the London Charivari, Vol. 150, June 7, 1916 — John Shaqi
Punch, or the London Charivari, Vol. 150, June 7, 1916Various
General
Punch, or the London Charivari, Vol. 150, June 7, 1916
Various
English wit and humor -- Periodicals
_Sir Geoffrey's_ father, it seems, had before his marriage run away with
a girl not of his own rank, who had generously refused to spoil the
family tree by marrying him; and _Fishpingle_ was the result. You might
judge from the peculiarity of his surname that the matter was taken
lightly by his parents. But you would be wrong. His mother died when he
was born, and his first name (for I cannot call it a Christian name) was
_Benoni_, which, being interpreted, means "the child of sorrow." _Sir
Geoffrey's_ grandmother, who had discouraged the legal adjustment of the
relationship between the lovers, had tried to repair matters by
educating _Fishpingle_ above the obscurity of his irregular birth; hence
his comparative erudition, rare in a butler.
[Illustration: THE BREED OF THE POMFRETS.
_Fishpingle_ (_to himself_). "How anybody can fail to see the
extraordinary family likeness between us I cannot imagine."
_Fishpingle_.... Mr. Henry Ainley.
_Sir Geoffrey Pomfret_. Mr. Allan Aynesworth.]
Now the opening of the play had put me into a mood which was not the
right one for the reception of this extract from a deplorable past. Some
comedies would be all the better for a little tragic relief; but this
was too much. Mr. VACHELL had no business to give his play a title like
_Fishpingle_. He should have called it "Nature's Nobleman, or The
Tragical Romance of a Faithful Butler's Birth," and then I might have
known what to expect. As it was I felt aggrieved. It was not, of course,
a question of asking for my money back at the doors (critics, to be just
to them, never do this in the case of a complimentary seat), but I felt
I had a right to protest against this attempt to harrow my
heart-strings, attuned as they were to the key of comedy, with a painful
drama dating back to more than half a century before the rise of the
curtain, and with its chief actors all dead. And the irritating mystery
in which it was wrapped only made things worse. Further, I suffered a
considerable strain on both my head and my heart in consequence of
obscure hints (vaguely involving a photograph on his mantelpiece) as to
the reason why _Fishpingle_ remained a bachelor to the bitter end.
But I am ashamed to appear flippant, for Mr. AINLEY played with
exquisite feeling and a fine sincerity. And I have to thank Mr. VACHELL
for giving us some excellent studies of character--not character
developed before our eyes by circumstance (except perhaps a little at
the last), but admirably observed as a kind of fixture to be taken with
the house.
Public-domain text, read in full here on John Shaqi.
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