Punch, or the London Charivari, Vol. 158, 1920-02-04 — John Shaqi
Punch, or the London Charivari, Vol. 158, 1920-02-04Various
General
Punch, or the London Charivari, Vol. 158, 1920-02-04
Various
English wit and humor -- Periodicals
"Good-night," they said; "we're glad you've enjoyed yourself."
Holder was a little hoarse, for he is a generous host. I think too the
motor run had tired them both, for their faces were again a little haggard;
and the wind had brought tears to the eyes of Mrs. Holder.
So I said good-bye to them--and to Jack, their elder boy, whom they will
never see again. He lies in France. But, you understand, it was as if he
had been with us all again for a little while that evening.
* * * * *
[Illustration: MORE ADVENTURES OF A POST-WAR SPORTSMAN.
CHANCING, ON THE WAY HOME, TO COME UPON HOUNDS WHEN THEY HAVE JUST KILLED,
HE PROPOSES TO SECURE THE BRUSH FOR MRS. P.-W.S., BUT CONCLUDES THAT UPON
THE WHOLE IT WOULD BE BETTER TO BUY ONE IN TOWN.]
* * * * *
HOPE FOR POSTERITY.
Full many a year has waxed and waned
And sunk into its shroud
Since that first day that I obtained
A diary and vowed
To keep (as I informed my wife)
"The Records of a Simple Life."
Within it I resolved to state,
Like Mr. PEPYS of yore,
The things that I, for instance, ate
And she, my Mary, wore,
Facts that would have a curious worth
When I was famed and--under earth.
And generations yet unborn
Would feel a thrill to note
How I upon an April morn
Left off my overcoat,
Or showed a pardonable spleen
At having missed the 9.16.
Nine volumes I've commenced at least
To write with eager pen;
The first, I note, abruptly ceased
On January 10,
While yesteryear the break occurred,
I think, upon the 23rd.
But this year, I am proud to see,
Stands not as others stood;
The prospects of posterity
Are really rather good,
Now that my zeal (not on the ebb)
Has borne me safely into Feb.
* * * * *
MUSICAL AMENITIES.
The connection of occultism with music was recently discussed by Mr. CYRIL
SCOTT in his interesting volume on Modernism in Music. It is satisfactory
to know that the subject is not to be allowed to drop. Grave discontent is
rife in orchestral circles at the monopoly enjoyed at spiritualist
_seances_ by the tambourine, and it is reported that Mr. ERNEST NEWMAN, the
distinguished and outspoken musical critic, will shortly deliver a public
lecture on behalf of the admission of other instruments to these mysteries,
and in particular the tuba. The claim of the tuba, Mr. NEWMAN holds, is not
only based on the profundity of its tones, but upon long literary
tradition. Nothing could be more conclusive than the reference in the old
Latin hymn:--
"Tuba mirum spargens sonum
Per sepulcra regionum."
It is anticipated that the discussion will be attended by Signor MARCONI,
Lord DUNSANY, Mr. YEATS and Lieutenant JONES, the author of _The Road to
En-Dor_.
* * * * *
Public-domain text, read in full here on John Shaqi.
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