Punch, or the London Charivari, Vol. 158, 1920-03-31Various
General
Punch, or the London Charivari, Vol. 158, 1920-03-31
Various
English wit and humor -- Periodicals
Though "E. H. ANSTRUTHER" (Mrs. J. C. SQUIRE) has called her latest story
_The Husband_ (LANE) one can hardly resist the feeling that this is rather
a generous description of the central character, who indulged in so much
philandering with one person or another that it is difficult to regard him
as more than a husband in, so to speak, his spare time. _Richard
Dennithorne_, I must believe, was a "ladies' man" in two senses, since he
is undeniably a very womanly conception of the all-conquering male, with
indeed more than a little of _Mr. Rochester_ in his composition. The story
tells how _Penelope_, the heroine, comes to live with her adopted aunt
_Margery_, of whom _Richard_ was the spouse (intermittent); how _Richard_,
at the moment absent upon amorous affairs, returned, and so fascinated
_Penelope_ with his masterful ways that she fled to London; how, almost
immediately after, she stultified her precautions, but saved the plot, by
becoming _Richard's_ secretary at his office in that city; and how,
finally, poor _Margery_ (who throughout monopolised my sympathy), having
generously expired, _Penelope_ and the ex-husband fell into each other's
arms. Of course there is a lot more than this really, so don't think that I
have spoilt the fun for you. As for the quality of the tale, this, I fancy,
may be better appreciated by women than men, since, as I have hinted, its
outlook is so essentially feminine. Mrs. SQUIRE writes with sincerity and
brings her characters to life. She needs, however, to remember that words
unwatched are dangerous. Such slipshod phrasing as "_young_ muscular
_youth_" must grieve the judicious, while the effect of the sentimental
interview on p. 99 was simply ruined for me through the unfortunate
suggestion conveyed by "her blood rose _in a boil_ to her face." The
italics are mine, but the proof-reading is (or should have been) the
author's.
* * * * *
Public-domain text, read in full here on John Shaqi.
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