Punch, or the London Charivari, Vol. 158, 1920-04-07Various
General
Punch, or the London Charivari, Vol. 158, 1920-04-07
Various
English wit and humor -- Periodicals
[Illustration: UNLIKELY SCENE AT THE LABOUR EXCHANGE: OUT-OF-WORK POET
PASSING THE INSPIRATION TEST BEFORE A SUPERVISING OFFICIAL OF THE BOARD OF
TRADE.]
* * * * *
"Young lady requires daily work as Cook-general; work not objected
to."
_Provincial Paper._
Very obliging of her.
* * * * *
POSSESSION.
The dear old home has been let to strangers. An interloper occupies the
messuage. A foreign master controls the demesne.
To-day especially, when as I write the air is balmy and the skies are blue,
it is agonising to feel that our own spring rhubarb is growing crimson only
to be toyed with by alien lips, and that the thrush on our pear-tree
bough----But no, I am wrong; the pear-tree bough is in the garden of No. 9;
it is only the trunk that stands in the garden of No. 10. That, by the way,
is an accident that frequently occurs to estate-owners. Consider critically
for a moment those well-known lines in which BROWNING says--
"Hark where my blossom'd pear-tree in the hedge
Leans to the field,"
and then goes on to speak of "the wise thrush" on "the bent spray's edge"
as "singing his song twice over." It is pretty obvious that the reason the
poet assigns to this action on the bird's part is not the correct one.
Evidently the part of the tree on which it was sitting was on the other
side of the hedge in the next-door fellow's garden, and it was
conscientiously trying to allot one performance to each of the two rival
householders. But I seem to have wandered a little from the ancient home.
Come with me in imagination, reader, and let us have a look at it together.
The fourth house to the left in this winding road that fringes the common,
you see it standing there gazing a little wistfully, yet with a quiet air
of semi-detachment, out over the wide expanse of green. Half right and half
left are two monstrous blocks of red brick flats overlooking it with a
thousand envious eyes. The middle distance is dotted pleasantly with
hawthorn bushes and the pretty pieces of sandwich-paper that are always the
harbingers of London's Spring. Beyond these things, and far away to the
front, you may detect on clear days a white church-tower nestling like
Swiss milk amongst immemorial trees. And this view is mine--mine, like the
old home. If we linger for a moment in the road we shall probably see the
scornful face of the proud usurper at one of the windows calmly enjoying
this view of mine, all unconscious that I, the rightful owner, am standing
beneath. Does it not remind you of the films?--
"_Charles Carruthers_, an outcast from his ancestral halls, eyes mournfully
the scene of merry junketing within. _Charles Carruthers_--_blick!
blick!_"--and you see him eyeing mournfully outside--"_blick! blick!_"--and
you see the junketers eating his junket within.
Public-domain text, read in full here on John Shaqi.
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