Punch, or the London Charivari, Vol. 158, 1920-04-28Various
General
Punch, or the London Charivari, Vol. 158, 1920-04-28
Various
English wit and humor -- Periodicals
"Aunt Caroline one day took me into her confidence and showed me what
she called her scrap-heap. It was a big box full of photographs that had
been presented to her from time to time, and she calculated that if she
had had them all framed, as their donors had doubtless expected, it
would have cost her some hundreds of pounds. While her back was turned I
looked through the collection. Your photograph was there--and mine,
Suzanne."
"Anyhow, we shall want one to keep ourselves. Think what a pleasure it
will be to him when he grows up to see what he looked like as a tiny
baby."
I called to mind an ancestral album belonging to my own family that I
had carefully kept guarded from Suzanne precisely for the reason that it
contained various presentments of myself at early ages in
mirth-compelling garments and attitudes; but of course I could not now
urge that chamber of horrors in opposition to her demand.
"Besides," she went on, "we needn't buy any copies at all if we don't
like them. Snapper and Klick are continually worrying me to have Baby
taken. Once a week regularly, ever since the announcement of his birth
appeared, they've rung me up to ask when he will give them a sitting.
Sometimes it's Snapper and sometimes it's Klick; I don't know which is
which, but one of them has adenoids. We can't do any harm by taking him
there, because they say in their circulars they present two copies free
and there's no obligation to purchase any."
"I wonder how they make that pay?"
"Oh," said Suzanne, "they keep the copyright, you know, and then when he
does anything famous they send it round to the illustrated papers, which
pay them no end of money for permission to reproduce it."
"But by the time _he_ does anything famous," I objected, "won't this
photograph be a trifle out of date? Supposing, for instance, in twenty
or thirty years' time he marries a Movie Queen----"
Just then the telephone-bell rang, and Suzanne, as is her wont, rushed
to answer it, dropping Timothy into my arms on the way.
"Hello!" I heard her say. "Yes; speaking. Yes, I was just going to
write. Yes; that will do quite well. What? Yes, about eleven. Good-bye."
"Not another appointment with the dressmaker?" I inquired.
"No. Curiously enough it was Klick again--or Snapper--and his adenoids
are worse than ever; I suppose it's the damp weather gets into them. So
I said we'd take Baby to-morrow."
"I don't quite see the connection," I said. "Besides, aren't they
catching?"
"Now you're being funny again. Save that up for to-morrow."
"What do you mean?" I asked in some alarm. "And why did you say _we'd_
take Baby?"
"Why, of course you've got to come too. You can always make him laugh
better than anyone else; it's your _metier_. And I do want his delicious
little dimples to come out."
"Do I understand that I'm to go through my _repertoire_ in cold blood
and under the unsympathetic gaze of Messrs. Snapper and Klick? Suzanne,
it can't be done."
Public-domain text, read in full here on John Shaqi.
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