Punch, or the London Charivari, Vol. 158, April 14, 1920Various
General
Punch, or the London Charivari, Vol. 158, April 14, 1920
Various
English wit and humor -- Periodicals
[PAVLOVA _dances a dance indicative of absolute and heartrending
despair, terminating in an appeal to the heavens to come to her aid.
Enter R. an important-looking personage with a long white beard,
wearing a costume which might be, called a commissionaire's if it
wasn't so like a harlequin's._
_Porter_ (_impressively and with evident relief_). The Stazione Maestro!
_The Stazione Maestro._ What's all this?
[PAVLOVA _dances an explanation of the_ impasse. _The_ S.-M. _and the_
Porter _remove their caps and scratch their heads solemnly, to slow
music_.
_The S.-M._ (_after deep cogitation_). This must be referred to the N.U.R.
[_Enter suddenly, R. and L., dancing, the Central Executive Committee
of the N.U.R. There is thunder and lightning._ PAVLOVA _repeats her
appeal. The_ C.E.C. _confabulate. The_ Chairman _finally announces
that the thing is entirely contrary to the principles of their Union,
and if the_ Station-master _permits it he must take the consequences.
The_ C.E.C. _disappear_.
_The S.-M._ What about it, Bill?
_Porter._ We'll do it. (_He dances._) Here goes, Mum.
[_Enter, suddenly, chorus of porters with multi-coloured trucks.
(They are the same as the_ C.E.C. _really, but they have changed
their clothes.) Aided by the_ S.-M. _and_ Bill _they remove the
three hundred and eighty-five packages, and wheel them, walking on
their toes, to the station exit, R. Here is seen a taxicab whose
driver is wrapped in profound meditation and smoking a hookah, the
bowl of which rests on the pavement. It is represented to him that a
lady with some luggage desires to charter his conveyance and proceed
to Hampstead. He comes forward to the centre and explains:_
_1. That it is near the dinner-hour._
_2. That he has no petrol._
_3. That he wouldn't do it for_ LLOYD GEORGE _hisself_.
_He retires to his vehicle and resumes his hookah._ PAVLOVA _dances
some dances expressive of Spring, of Butterflies, of Flowers, of
Unlimited Gold. In the midst of the final passage the driver leaps
from his seat, rushes on to the platform, jumps three hundred and
eighty-five times into the air, whirls_ PAVLOVA _off her toes and
dashes from side to side, carrying her in one hand. He finally flings
her into the taxicab and returns to his seat. The luggage is piled
upon the roof by dancing porters and tied with many-coloured ribbons.
The taxi departs in a cloud of petrol, the driver steering with his
toes and manipulating the clutches with his hands. Farewells are waved
and finally, surrounded by the rest of the porters, the_ Station
Master _and_ Bill _dance a dance of Glad Sacrifice, stab themselves
with their hands, and die_.
CURTAIN OF SMOKE.
Public-domain text, read in full here on John Shaqi.
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