Punch, or the London Charivari, Vol. 158, June 16, 1920Various
General
Punch, or the London Charivari, Vol. 158, June 16, 1920
Various
English wit and humor -- Periodicals
Against the door the night winds rave
Like outcast dogs, their lot deploring;
Triumphant over wind and wave
Rises my landlord's lusty snoring.
PATLANDER.
* * * * *
"There was one summer when he lived by himself in a lonely old
houseboat on the Thames, from which he paddled himself ashore
every morning in a top-hat."--_Daily Paper._
The drawback to this kind of craft is that it only accommodates a
single skull.
* * * * *
[Illustration: MANNERS AND MODES.
MR. GILEAD P. BLOGGS (U.S.A.) ORDERS FOR HIS NEW DINING-ROOM AT
PITTSBURGH A COLOSSAL PICTURE REPRESENTING A HOSPITABLE SIDEBOARD, TO
KEEP ALIVE HIS MEMORIES OF "WET" AMERICA.]
* * * * *
[Illustration:
_Accused_ (_just dismissed_). "MANY THANKS! WHAT SHOULD I HAVE DONE
WITHOUT YOU?"
_Counsel._ "OH, ABOUT SIX MONTHS."]
* * * * *
LITTLE BITS OF LONDON.
BILLINGSGATE.
In order to see Billingsgate properly in action it is necessary to get
up at half-past four and travel on the Underground by the first train
East, which is an adventure in itself. The first train East goes at
three minutes past five, and there are large numbers of people who
travel in it every day; by Charing Cross it is almost crowded. It is
full of Bolshevists; and I do not wonder. One sits with one's feet up
in a first-class carriage, clutching a nice cheap workman's ticket and
trying hard to look as if, like the Bolshevists, one did this every
day.
On arriving at the Monument Station one walks briskly past the
seductive announcement that "THE MONUMENT IS NOW OPEN," and plunges
into a world of fish. I have never been able to understand why fish
is so funny. On the comic stage a casual reference to fish is almost
certain to provoke a shout of laughter; in practice, and especially
in the mass, it is not so funny; it is like the Government, an
inexhaustible source of humour at a distance, and in the flesh
extraordinarily dull.
Public-domain text, read in full here on John Shaqi.
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