Punch, or the London Charivari, Vol. 158, June 23, 1920 — John Shaqi
Punch, or the London Charivari, Vol. 158, June 23, 1920Various
General
Punch, or the London Charivari, Vol. 158, June 23, 1920
Various
English wit and humor -- Periodicals
First we will write a humorous lyric for the Stage, bearing in mind,
of course, the peculiar foibles, idiosyncrasies and whims of Mr. Alf
Bubble, who will sing it (we hope). Mr. Bubble's principal source of
fun is the personal appearance of his fellow-citizens. Whenever a
new character comes on the stage he makes some remark about the
character's "face." Whenever he does this the entire audience rolls
about on its seat, and cackles and gurgles and wipes its eyes,
and repeats in a hoarse whisper, with variations of its own, the
uproarious phrasing of Mr. Bubble's remark. If Mr. Bubble says, "But
look at his _face_!" the audience, fearful lest its neighbours may
have missed the cream of the thing, splutters hysterically in the
intervals of eye-wiping and coughing and choking and sneezing, "He
said, '_What_ a face!'" or "He said, '_Did_ you _see_ his face?'" or
"He said, 'Is it a _face_?'"
All this we have got to remember when we are writing a lyric for Mr.
Bubble. Why Mr. Bubble of all people should find so much mirth in
other men's faces I can't say, but there it is. If we write a song
embodying this great joke we may be certain that it will please Mr.
Bubble; so we will do it.
Somebody, I think, will have made some slighting remark about the
Government, and that will give the cue for the first verse, which will
be political.
We will begin:--
Thompson ....
I don't know why the people in humorous lyrics are always called
Thompson (or Brown), but they are.
Thompson, being indigent,
Thought that it was time he went
Into England's Parliament,
To earn his daily bread ....
That is a joke against Parliament, you see--Payment of Members and all
that; it is good. At the same time it is usual to reserve one's jokes
for the chorus. The composer, you see, reserves his tune for the
chorus, and, if the author puts too much into the verse, there will be
trouble between their Unions.
Now we introduce the _face-motif_:--
Thompson's features were not neat;
When he canvassed dahn our street
Things were said I won't repeat,
And my old moth-ah said:--
This verse, you notice, is both in metre and rhyme; I don't know how
that has happened; it ought not to be.
Now we have the chorus:--
"Oh, Mr. Thompson,
It isn't any good;
I shouldn't like to vote for you,
So I won't pretend I should;
I know that you're the noblest
Of all the human race ...."
That shows the audience that _face_ is coming very soon, and they all
get ready to burst themselves.
"I haven't a doubt, if you get in,
The Golden Age will soon begin--
But I DON'T LIKE--your FACE."
At this point several of the audience will simply slide off their
seats on to the floor and wallow about there, snorting.
The next verse had better be a love-verse.
Thompson wooed a lovely maid
Every evening in the shade,
Meaning, I am much afraid,
To hide his ugly head ....
Public-domain text, read in full here on John Shaqi.
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