Punch, or the London Charivari, Vol. 158, May 19, 1920Various
General
Punch, or the London Charivari, Vol. 158, May 19, 1920
Various
English wit and humor -- Periodicals
This is the way the sparrow calls his mate;
He says it early and he says it late,
He says it softly, but he says it clear:
"Come unto me, come unto me, my dear."
* * * * *
DRESS AT THE CURZON WEDDING.
"Princess ---- wore a black hat, a cloak of tailless ermine,
and a black and silver toque."
_Daily Telegraph._
"Then came Mrs. ---- in a dull golf hat."
_Daily Graphic._
As a protest, we suppose, against the other lady's extravagance in
wearing a couple of hats.
***
"John ----, a coloured man, was charged with using obscure
language in Maria Street. The magistrates fined him
5s."--_Welsh Paper._
Most unfair! Lots of men do the very same thing in Parliament and get
paid four hundred pounds a year for it.
***
Heading from pp. 516, 517 of _Punch's_ official rival, _The Telephone
Directory_:
"SUBSCRIBERS SHOULD NOT ENGAGE ****** THE TELEPHONISTS IN
CONVERSATION."
We should ourselves have placed the asterisks after the word "THE."
* * * * *
ROYAL ACADEMY--SECOND DEPRESSIONS.
[Illustration: STUDY OF A CHILD, SOME GOATS AND A HORSE. THE HORSE IS
FULL OF FIRE AND LOOKS AS IF HE HAD JUST SPRUNG FROM HIS ROCKERS.]
[Illustration: "DOUBLE OR QUIT." A SPORTING OFFER BY A PROFITEERING
LANDLORD.]
[Illustration: _Fair Rosamond._ "OH, MY GOODNESS! IS THAT A DAGGER?"
_Queen Elinor._ "QUITE RIGHT, BUT IT'S ONLY TO HEIGHTEN THE DRAMATIC
EFFECT. I KNEW YOU WOULD PREFER POISON."]
[Illustration: THE EXHAUSTED SITTER AND THE INEXORABLE ARTISTS.]
[Illustration: PREHISTORIC PRIZE-FIGHTERS REMOVING A HEAVY-WEIGHT
CHAMPION AFTER HIS DEFEAT.]
[Illustration: WINDOW-DRESSING IS NOW ONE OF THE FINE ARTS. A CHARMING
GROUP OF WAX FIGURES MADE TO THE ORDER OF MESSRS. WHITERIDGE.]
[Illustration: _Excited Bather._ "SOMETHING QUEER ABOUT THESE ROCKS.
ONE OF THEM IS TICKLING ME ON THE BACK!"]
* * * * *
AT THE PLAY.
"WHY MARRY?"
This is a protracted discussion of a venerable topic and takes place
in a sun-parlour, which I regret to say is the brightest thing about
it.
Public-domain text, read in full here on John Shaqi.
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