Punch, or the London Charivari, Vol. 159, 1920-07-28Various
General
Punch, or the London Charivari, Vol. 159, 1920-07-28
Various
English wit and humor -- Periodicals
But we are not talking about RAMSAY MACDONALD and the County Card Game; we
are talking about Sir ERIC GEDDES and his railway fares, and talking pretty
sharply too. What is to be done about this monstrous imposition? And how
are we going to show the Government that you cannot play about with ozone
as you can with margarine and coal? If only all passengers were prepared to
act in concert it would be easy enough to bring Sir ERIC to his knees. The
best and simplest plan would be for everybody to ask at the booking-office
for a half-fare, stating boldly that his or her age was exactly eleven
years and eleven months. It might not sound very convincing, of course,
even if you had a red-and-black cricket-cap on the back of your head and
covered your beard or what not with one hand; but a constant succession of
people all demanding the same thing would most certainly cause the
booking-clerk to give way. It might occur to him besides that, since so
many people insisted on giving their wrong ages for the pleasure of
fighting in war-time, they had a perfect right to do the same for the
pleasure of travelling in peace-time; and in the case of the women his
reputation for gallantry would be imperilled if he had the impudence to
doubt their word.
But would everybody be prepared to take up this strong and reasonable line?
I doubt it, and we must turn to the consideration of other economical
devices.
One plan which I do not honestly recommend is travelling under the seats of
the railway compartment, like _Paul Bultitude_ in _Vice Versa_. I say this
partly because the accommodation under the seats is not all that it ought
to be, and even where there is no heating apparatus a tight fit for large
families, and partly because you have to face the possibility that your
tickets may be demanded on the platform at the other end. Nor do I favour
the method invariably adopted by people in cinema plays, which is to sit on
the buffers or the roofs, or conceal yourself among the brakes or whatever
they are underneath the carriages. Unless you drop off just before the
terminus, which hurts, the same objection arises as in the under-the-seat
method; and in any case you are practically certain to be spotted not only
by the officials of the railway company concerned but with axle-grease.
Public-domain text, read in full here on John Shaqi.
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