Punch, or the London Charivari, Vol. 159, 1920-09-15Various
General
Punch, or the London Charivari, Vol. 159, 1920-09-15
Various
English wit and humor -- Periodicals
"So I 'ave got bisness 'ere," declares the other. "Bisness c'nected
with my son's b'loon."
"An' we don't leave 'ere till it's settled, neither," cries the lady
on the pavement. "'Alf-a-crown that balloon cost, an' we don't budge
from 'ere till we get it."
This is altogether too much for the owner of the Rolls-Royce.
"'Alf-a-crown?" he explodes and turns indignantly to the company.
"'Alf-a-crown for a child's balloon, and _then_ they go on strike."
Derisive cheers and counter-cheers go up from the crowd below as the
incensed balloon-owner bursts forth into an impassioned defence of his
inalienable right as a free-born Briton to strike or to buy half-crown
balloons as the spirit moves him. Simultaneously the lady in the
diamonds rises and, producing a coin from her gold bag, holds it with
a superb gesture at arm's length beneath his nose. For a moment or two
he pays no attention to her, then takes the coin impatiently with the
air of one brushing aside an irritating interruption and continues his
harangue.
"Come on," puts in the porter; "you've got yer 'alf-crown. S'pose you
move on."
"Got me 'alf-crown, 'ave I'?" he retorts. "Wot about my rights as a
man? Does 'alf-a-crown buy them?"
No one venturing to solve this social problem he turns slowly and,
glaring over his shoulder at Rolls-Royce, descends the steps.
"I'm an Englishman, I am," he concludes from the pavement. "No one
can't close my mouth with 'alf-crowns."
For a brief space he stands scowling up at the porch as though
challenging all and sundry to perform this feat, then, taking his wife
by the arm, moves off with her and the still insistent child towards
the beach. The crowd on the pavement, regretfully convinced that the
entertainment is at an end, disperses slowly. Rolls-Royce, seemingly
unconscious of the interest of Charteris and our host, who are looking
at him covertly as at some zoological specimen, relights his cigar and
sits glowering across the road, and silence falls upon the scene--a
silence broken at last by the lady in the diamonds, who has resumed
her languid pose in the wicker-chair.
"'Orrible people!" she observes, addressing the occupants of the porch
generally. "Nice state o' things when you can't even be safe from 'em
in yer own 'otel. You don't seem to be able to get away from these
low-class people hanywhere--you don't reely!"
* * * * *
[Illustration: _Energetic Motor-Cyclist._ "WHY THE DEUCE DON'T YOU SIT
STILL? YOU'LL HAVE US OVER IN A MINUTE."]
* * * * *
40-1920 A.D.
CALIGULA the man (quite mad, of course)
Conferred the consulship upon his horse.
Caligula the colt (a trifle saner)
Makes kings of jockey, purchaser and trainer.
Sanity counts; I raise my cup of massic
Not to the earlier but the later "classic."
* * * * *
=Journalistic Modesty.=
Public-domain text, read in full here on John Shaqi.
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