"NO MORE SEA-SICKNESS!" NO MORE "BAD QUARTERS-OF-AN-HOUR" IN CROSSING THE CHANNEL! Try Mons. M. L. MAYER'S Remedy, to be provided on October 24 up to the middle of November, and probably longer, if all goes well, at the Remedy Theatre--no--at the Royalty Theatre, where he intends giving a season of French plays, and brings M. COQUELIN, Mmes. CHAUMONT and JANE MAY,--not all at once but one at a time,--over to afford amusement to those Londoners who can't afford amusement in Paris, or who object to the sea-passage, or who cannot spare sufficient time for the trip. M. COQUELIN has with him a fair-sized bag of tricks which includes, among other things, _Don Cæsar de Bazan_, and he means to devote three-fourths of one evening's entertainment to monologues, among which, Mr. BEERBOHM TREE will be delighted to hear, is announced _Gringoire_. M. MAYER, will of course, see that his stars are well supported, and the public, delighted to save the sea-voyage, will support M. MAYER. * * * * * SHOWS VIEWS. _By Victor Who-goes-Everywhere._ [Illustration] THE suggestion made a month ago by a "Salubrity Abroad," (now happily a "Salubrity at home") that the above title would make a good heading for an all-round-about theatrical and entertainment article in _Mr. Punch's_ pages, is at length carried out. In the character of a hero conquering difficulties, I have been here, there, and everywhere. My first triumph was at the Gaiety Theatre, where (after surmounting all obstruction) I secured a place from whence _Miss Esmeralda_ could be watched in comfort. This piece is called a "melodramatic burlesque," in two Acts, but I confess I failed to distinguish either the melodrama or the burlesque. It was, however, well mounted with good scenery and pretty dresses. It had further the advantage of an excellent stage-manager in Mr. CHARLES HARRIS, and a no less excellent dance inventor in Mr. JOHN D'AUBAN, but of the book the less that is said the better. Frankly, it is not amusing. This being the case I was not surprised to find the names of its authors printed in the programme in a type just half the size accorded to the style and title of "the producer." The acting calls for no particular comment. Mr. LONNEN sings an Irish song excellently well, but is less diverting when he trusts to attitudinising as a provocative to merriment. Miss MARION HOOD'S charming face is sweeter than her voice, and Miss FANNIE LESLIE'S singing is as welcome now as ever it was--it recalls many a vocal triumph of the past. Mr. GEORGE STONE as _Gringoire_ is more broadly comic than Mr. BEERBOHM TREE in a somewhat similar _rôle_ in the _Ballad Monger_. Both the Misses BLANCHE are all that could be desired in two subordinate characters. In the last Act there is a "Pyramid Ballet,"--which is slightly perplexing. Until my attention was pointedly called to the fact that I was watching a terpischorean