Punch, or the London Charivari, Vol. 93., October 22, 1887Various
General
Punch, or the London Charivari, Vol. 93., October 22, 1887
Various
English wit and humor -- Periodicals
And the streaming window again engages
The thoughts that stray from the field of Prague;
And the moping birds in their gauze-girt cages,
And the wax-work fruits of a genus vague;
And the flies that buzz like a lazy plague
Round the lone lorn jam, as it stands forsaken;
And the varnished pike in the mill-pool taken
About the year that they fought at Prague.
But twilight falls, and its folds encumber
The misty mounds of the patient trees,
And sunset cheers with a touch of umber
The puddles of steel-gray Gruyère cheese.
And, interposing a little ease,
Our frail thoughts dally with false surmises
Of a morning as brilliant as mid July's is
With bravest sunshine and sweetest breeze.
A soothing silence the soul surprises,
For the little Maid, like a hero true,
Has fought her fight through its poignant crises,
And shown what practice can dare and do.
And, tearing the moonlight in handfuls through,
A giant arm in the cloudland sombre
Scatters the light on a world of slumber,
Through snowy craters, from gulfs of blue.
* * * * *
BOGEY IN BOND STREET.
(_A Legend of the Grosvenor Gallery._)
[Illustration]
The Spirit of Art glided through the streets of Modern London, seeking
a resting-place. She entered the Diploma Gallery of the Royal Academy,
but hurried away, affrighted at some of the terrible examples of the
illustrious Forty.
"And these are the greatest English painters!" she murmured--"the
countrymen of SHAKSPEARE, MILTON, and ADDISON, TENNYSON, MACAULAY, and
DICKENS! How is it that Painting cannot keep pace with Literature?"
It sounded like a Conundrum, and the Spirit of Art was not good
at Conundrums. So she gave it up. Then she passed into other
Exhibitions--there were quite a dozen in the neighbourhood at the
very least. But she was unsatisfied, and came away. She paused, and
considered. The Spirit of Art had one great English friend (of Irish
extraction), who was a Musician.
"ARTHUR is a clever fellow," said the Spirit of Art to herself--there
was no one else to speak to--"and if he _does_ compose more comic
Operas than Oratorios, it is, I suppose, because there is a greater
demand for the former than the latter."
From this it will be seen the Spirit of Art had, on the whole, a
good head for business. "Now," continued the Representative of the
Beautiful, "I distinctly recollect that the words to one of the songs
of my friend ARTHUR contained a pointed reference to the Greenery
Yallery Gallery. I fancy, from all I have heard, that the sort of
thing I want will be found in the Greenery Yallery Gallery."
She was quite pleased at the notion. To tell the truth the Spirit of
Art was rather weary of perambulating the streets of London--not even
the advertisements of BUFFALO BILL on the hoardings gave her lasting
satisfaction.
Public-domain text, read in full here on John Shaqi.
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