Punch, or the London Charivari, Vol. 98, April 5, 1890Various
General
Punch, or the London Charivari, Vol. 98, April 5, 1890
Various
English wit and humor -- Periodicals
* * * * *
THE ROOT OF THE MATTER.
(_The Sporting M.P.'s Straight Tip to Trevelyan._)
In the intervals of Sport
M.P.'s vamp the country's work,
Therefore cut the Sessions short,
Supplementary Sessions shirk.
_Must_ have time to pot the grouse,
_Must_ have time to hook the salmon,
Spoil our Sport to help the House?
Gammon!!!
* * * * *
LOST, somewhere between Land's End and John O'Groat's, a
highly-treasured heir-loom, known as the "British Sense of Fair Play."
It disappeared immediately after the issuing of the Report of the
Parnell Commission, and has never been seen or heard of since. Many
applicants have claimed to have re-discovered it; but, from Sir R-CH-RD
W-BST-R and Sir W-LL-M H-RC-RT, to L-RD D-NR-V-N, and (last and least)
Sir W. M-RR-TT, all have absolutely failed to substantiate their claims.
Any Public Man, of whatever party, who can prove his possession of the
lost treasure, by making a speech embodying a judicial survey of the
Judges' Report, without party-feeling, special pleading, or paltry
spite, will, on applying personally to _Mr. Punch_, be HANDSOMELY
REWARDED!!!
* * * * *
PUT THIS IN YOUR PIPE.
[Pipe-Major MCKELLAR has thrown doubts upon the pretty and pathetic
story of "JESSIE BROWN of Lucknow."]
Our faith to the winds you would chuck now,
Concerning that Legend of Lucknow.
That sweet Scottish girl
Never heard the pipes "skirl?"
Come! This is mere sceptical muck now!
The Ross-shire Buffs' slogan I'll wager
Will survive many stories much sager.
Our faith in the tale
Is confirmed, and won't fail
At the word of a single Pipe-Major.
* * * * *
[Illustration: TIME WORKS WONDERS.
(_Mr. Punch's Suggestions, à propos of the recent Discussions about Mr.
Gladstone's Head._)]
* * * * *
MUSICAL NOTES.
I HAVE just received FLORIAN PASCAL'S Music composed for _Tra la la
Tosca_, published by JOSEPH WILLIAMS of Berners Street. Justice was not
done to it on the stage at the Royalty, but there are two _morçeaux_ in
it which ought to become popular; one being a song entitled "_Her Eye_,"
which, were it wedded to serious words, would be highly popular as a
contralto song, just as SULLIVAN'S charming "_Hush a bye Bacon_," in
_Cox and Box_, became "_Birds of the Night_." Then the Gavotte in this
book is as graceful and catching as the _Gavotte de Louis Treize_, and
would be in great request with orchestras and bands everywhere.
Public-domain text, read in full here on John Shaqi.
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