Punch, or the London Charivari, Vol. 98, February 1, 1890Various
General
Punch, or the London Charivari, Vol. 98, February 1, 1890
Various
English wit and humor -- Periodicals
_First Aspiring Political Economist._ Well, to me, though, of course, I
am willing to admit there _may_ be something in it, I can't say that the
matter is, at first sight, convincingly clear. (_Candidly._) My chief
difficulty is, I confess, to arrive at any definite conclusion with
myself, as to what "Bimetallism" really means, and what it does not; and
I own I feel still vague as to the two questions of the influence of the
quantity of money on prices, or the price of a commodity on the value of
money respectively, and, though I carefully read all that appears in the
daily papers on the subject, I am compelled to own that I do not seem to
be nearer a solution of the perplexing difficulty. However, it is, no
doubt, a highly absorbing, if not a very useful, subject for
investigation.
[_Left investigating it as Curtain falls._
* * * * *
[Illustration]
MR. PUNCH'S MORAL MUSIC-HALL DRAMAS.
No. IV.
Our present example is pure tragedy of the most ambitious kind, and is,
perhaps, a little in advance of the taste of a Music-hall audience of
the present day. When the fusion between the Theatres and the
Music-Halls is complete--when Miss BESSIE BELLWOOD sings "_What Cheer,
'Ria?_" at the Lyceum, and Mr. HENRY IRVING gives his compressed version
of _Hamlet_ at the Trocadero; when there is a general levelling-up of
culture, and removal of prejudice--then, and not till then, will this
powerful little play meet with the appreciation which is its due. The
main idea is suggested by the Misses TAYLOR'S well-known poem, _The
Pin_, though the dramatist has gone further than the poetess in working
out the notion of Nemesis.
THE FATAL PIN.--A TRAGEDY.
DRAMATIS PERSONAE.
_Emily Heedless._ By either Miss VESTA TILLEY or Mrs. BERNARD BEERE.
_Peter Paragon._ Mr. FORBES ROBERTSON or Mr. ARTHUR ROBERTS (only he
mustn't sing "_The Good Young Man who Died_").
_First and Second Bridesmaids._ Miss MAUDE MILLETT and Miss ANNIE
HUGHES.
SCENE.--EMILY'S _Boudoir, sumptuously furnished with a
screen and sofa,_ C. _Door,_ R., _leading to_ EMILY'S
_Bed-chamber. Door,_ L. EMILY _discovered in loose
wrapper, and reclining in uncomfortable position on
sofa._
Public-domain text, read in full here on John Shaqi.
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