Punch, or the London Charivari, Vol. 98, June 21 1890 — John Shaqi
Punch, or the London Charivari, Vol. 98, June 21 1890Various
General
Punch, or the London Charivari, Vol. 98, June 21 1890
Various
English wit and humor -- Periodicals
_The Descriptive Man_. They've got both the fences up now, d'ye see?
There's the judges going to start the jumping; each rider's got a
ticket with his number on his back. See? The first man's horse don't
seem to care about jumping this afternoon--see how he's dancing about.
Now he's going at it--there, he's cleared it! Now he'll have to jump
the next one!
[_Keeps up a running fire of these instructive and valuable
observations throughout the proceedings._
[Illustration]
_The Judge of Horseflesh._ Rare good shoulders that one has.
_The Severe Critic (taking the remark to apply to the horse's rider)._
H'm, yes--rather--pity he sticks his elbows out quite so much, though.
[_His Friend regards him in silent astonishment._
_Another Competitor clears a fence, but exhibits a considerable amount
of daylight._
_The Saturnine Stableman (encouragingly)._ You'll 'ev to set back a
bit next journey, Guv'nor!
_The Cockney Groom._ 'Orses 'ud jump better if the fences was a bit
'igher.
_The S. S._ They'll be plenty 'oigh enough fur some on 'em.
_The Severe Critic._ Ugly seat that fellow has--all anyhow when the
horse jumps.
_Judge of Horseflesh._ Has he? I didn't notice--I was looking at the
horse. [_Severe Critic feels snubbed._
_The S. S. (soothingly, as the Competitor with the loose seat comes
round again)._ That's not good, Guv'nor!
_The Cockney Groom._ 'Ere's a little bit o' fashion coming down
next--why, there's quite a boy on his back.
_The S. S._ 'E won't be on 'im long if he don't look out. Cup an' ball
_I_ call it!
_The Morbid Man._ I suppose there's always a accident o' some sort
before they've finished.
_First Woman._ Oh, don't, for goodness sake, talk like that--I'm sure
_I_ don't want to see nothing 'appen.
_Second Woman._ Well, you may make your mind easy--for you won't see
nothing here; you _would_ have it this was the best place to come to!
_First Woman._ I only said there was no sense in paying extra for the
balcony, when you can go in the area for nothing.
_Second Woman (snorting)._ Area, indeed! It might be a good deal
airier than what it is, I'm sure--I shall melt if I stay here much
longer.
_The Morbid Man._ There's one thing about being so close to the jump
as this--if the 'orse jumps sideways--as 'osses will do every now and
then--he'll be right in among us before we know where we are, and then
there'll be a pretty how-de-do!
_Second Woman (to her Friend)._ Oh, come away, do--it's bad enough to
see nothing, let alone having a great 'orse coming down atop of us,
and me coming out in my best bonnet, too--come away!
[_They leave._
_The Descriptive Man._ Now they're going to make 'em do some
in-and-out jumping, see? they're putting the fences close
together--that'll puzzle some of them--ah, he's over both of 'em; very
clean that one jumps! Over again! He's got to do it all twice, you
see.
_The Judge of Horseflesh._ Temperate horse, that chestnut.
Public-domain text, read in full here on John Shaqi.
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