"HARLOWE THERE!"--This now familiar exclamation might be appropriately adopted as the motto of the Vaudeville Theatre during the run of _Clarissa_. She does run, too, poor dear--first from home, then from _Lovelace's_, and then "anywhere, anywhere, out of the world!" By the way, is it quite fair of Mr. THOMAS THORNE, in the absence of a friend and brother comedian, to speak of himself, as he does in this piece, as "a mere Toole"? How can such a metamorphosis have taken place? We trust that Mr. THOMAS THORNE, Temporary Tragedian, will amend his sentiments. * * * * * SIR W. V. HARCOURT, on the night when he was so huffy, "left the House." True: he certainly did not "carry the House with him." * * * * * MODERN TYPES. (_By Mr. Punch's Own Type-Writer._) No. IV.--THE GIDDY SOCIETY LADY. [Illustration] The Giddy Lady is one who, having been plunged at an early age into smart society, is whirled perpetually round in a vortex of pleasures and excitements. In the effort to keep her head above water, she is as likely as not to lose it. This condition she naturally describes as "being in the swim." In the unceasing struggle to maintain herself there, she may perhaps shorten her life, but she will apparently find a compensation in the increased length of her dressmaker's bills. She is ordinarily the daughter of aristocratic parents, who carefully allowed her to run wild from the moment she could run at all. By their example she has been taught to hold as articles of her very limited faith, that the serious concerns of life are of interest only to fools, and should, therefore (though the inference is not obvious), be entirely neglected by herself, and that frivolity and fashion are the twin deities before whom every self-respecting woman must bow down.