THE UNERRING FOR PORTRAITS ONLY: Portrait of the miscreant who attempted to assassinate Mr. Macreath. The head is extremely well painted, and the light and shade distributed with the artist's usual judgement. VALENTINE VERMILION. Portrait of His Majesty the King of Hanover. BY THE SAME. Portrait of the boy who got into Buckingham Palace. GEOFFERY GLAZEM. OR THUS: Portrait of Lord John Russell. An admirable likeness of the original, and executed with that breadth and clearness so apparent in this clever painter's works. BY THE SAME. Portrait of W. Grumbletone, Esq., in the character of Joseph Surface. PETER PALETTE. Portrait of Sir Robert Peel BY THE SAME. OR THUS: Portrait of the Empress of Russia. A well-drawn and brilliantly painted portrait, calculated to sustain the fame already gained by this our favourite painter. VANDYKE BROWN. Portrait of the infant Princess. BY THE SAME. Portrait of Mary Mumblegums, aged 170 years. BY THE SAME. THE UNERRING FOR EVERY SUBJECT: The Death of Abel. This picture is well arranged and coloured with much truth to nature; the chiaro-scuro is admirably managed. MICHAEL McGUELP. Dead Game. THOMAS TICKLEPENCIL. Vesuvius in Eruption. CHARLES CARMINE, R.A. Portraits of Mrs. Punch and Child. R.W. BUSS. Cattle returning from the Watering Place. R. BOLLOCK. OR THUS: "We won't go home till Morning." M. WATERFORD, R.H.S. This is one of the cleverest productions in the Exhibition; there is a transparency in the shadows equal to Rembrandt. The infant Cupid sleeping. R. DADD. Portrait of Lord Palmerston. A.L.L. UPTON. Coast Scene: Smugglers on the look out. H. PARKER. Portrait of Captain Rous, M.P. J. WOOD. Should the friends of any of the artists deem the praise a little too oily, they can easily add such a tag as the following:—“In our humble judgment, a little more delicacy of handling would not be altogether out of place;” or, “Beautiful as the work under notice decidedly is, we recollect to have received perhaps as much gratification in viewing previous productions by the same.” FOR THE HALF CONDEMNED: This artist is, we much fear, on the decline; we no longer see the vigour of handling and smartness of conception formerly apparent in his works: or, “A little stricter attention to drawing, as well as composition, would render this artist’s works more recommendatory.” THE TOTALLY CONDEMNED: Either of the following, taken conjointly or separately: “A perfect daub, possessing not one single quality necessary to create even the slightest interest—a disgrace to the Exhibition—who allowed such a wretched production to disgrace these walls?—woefully out of drawing, and as badly coloured,” and such like. A COMMENTARY ON THE ELECTIONS. BY THE BEADLE OF SOMERSET HOUSE. Well, lawks-a-day! things seem going on uncommon queer, For they say that the Tories are bowling out the Whigs almost everywhere; And the blazing red of my beadle’s coat is turning to pink through fear,