Punch, or the London Charivari, Volume 1, December 4, 1841Various
General
Punch, or the London Charivari, Volume 1, December 4, 1841
Various
English wit and humor -- Periodicals
As the hero of a romantic play is obliged to possess all the cardinal
virtues and all the intellectual accomplishments, so the hero of a farce
is bound to be a fool. One of the greatest, and at the same time one of
the best fools it has been our pleasure to be introduced to for some time
is _Mr. Titus Livingstone_, in the new farce of "Love Extempore."
_Mr. Titus Livingstone_ possesses an excellent heart, a good fortune, and
an uncommon stock of modesty. His intellects are, however, far from
brilliant; indeed, but for one trait in his character he would pass for an
idiot,--he has had the good sense never as yet to fall in love! In fact,
the farce is founded upon that identical incident of his life which
occasioned him to suppose that he had taken the tender passion extempore.
Some sort of villany seems absolutely necessary to every species of play.
To continue the parallel we commenced with between tragedy and farce, we
observe that in the former he is usually such a person as _Spinola_, in
"Nina Sforza," whilst a farce-villain turns out to be in most instances an
intriguing widow, a lawyer, or a mischievous young lady. The rogue in
"Love Extempore" is _Mrs. Courtnay_, a widow, who, with the assistance of
_Sir Harry Nugent_, contrives a plot by which the hitherto insensible
_Livingstone_ shall fall a victim to love and her friend _Prudence
Oldstock_; with whose mother and sister the widow and her co-intriguant
are staying on a visit.
The moment fatal to Livingstone's virgin heart and unrestrained liberty
arrives. He calls to pay a morning visit, and instantly the deep design is
put into execution. _Sir Harry_ begins by a most extravagant puff
preliminary of the talents, accomplishments, virtues, beauty, disposition,
endowments, and graces belonging to the enchanting _Prudence_. He and the
widow exhibit her drawings,--_Livingstone_ is in raptures, or pretends to
be (for he is not an ill-bred man). What a piercing expression flashes
from those studies of eyes (in chalk)! what an artistical grouping of
legs! what a Saracen's-head-upon-Snow-hill-like ferocity frowns from that
Indian chief!
Public-domain text, read in full here on John Shaqi.
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